A lush examination of East-West relations.
A historical and romantic narrative, alternating between the Japanese occupation of Hong Kong during World War II and a time roughly ten years later that follows the tragic consequences of that occupation.
The central figure is Will Truesdale, who across this ten-year period is involved with two vastly different women. In 1952 he meets Claire Pendleton, the piano teacher of the title, who’s come to Hong Kong with her dull and unimaginative husband, a civil engineer overseeing the building of a reservoir. Claire finds a position teaching Locket Chen, the ten-year-old daughter of Melody and Victor Chen, the latter a successful and Anglophilic businessman with a dark past. Will is the Chens’ chauffeur, an anomalous position for a Westerner, but Victor well knows that having Will in this position elevates Victor’s status in the Chinese community. Lee presents her narrative antiphonally, so the story frequently flashes back to Will’s other lover, the beautiful Eurasian Trudy Liang, daughter of a Chinese father and a Portuguese beauty. Trudy is impulsive, pragmatic and strong—she’s willing to do anything to guarantee that her relationship with Will survives the dire and dangerous time when the Japanese take over the government of Hong Kong. She submits herself to the will of the powerful Otsubo, who serves practically as a warlord. He’s trying to recover a mysterious cache of priceless Chinese artifacts and is willing to engage in any activity—including torture and murder—to get what he wants. Only three people know the whereabouts of the trove, and this knowledge gives them power while at the same time putting them in danger. Despite Will’s warning to Claire (“ ‘I don’t like to love…You should be forewarned. I don’t believe in it’ ”), the piano teacher is sucked into the maelstrom of his passion—and learns more than she expected to about the human implications of the dark events of the war.
A lush examination of East-West relations.Pub Date: Jan. 12, 2009
ISBN: 978-0-670-02048-5
Page Count: 326
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
BOOK REVIEW
Light on surprises and character development, this tepid thriller will have most astute readers correctly guessing the...
An accident forces a man to return to his small Iowa hometown and confront violent secrets from his past, ones he’s kept hidden from his wife.
Sarah Quinlan thought she knew everything about her husband, Jack: an accident killed his parents when he was 15 so he left Penny Gate, Iowa, and has only been back once. But when the couple gets news that Jack’s beloved aunt Julia, who raised Jack and his younger sister, Amy, after their parents’ deaths, is gravely injured in a fall, the prodigal son returns. Gudenkauf (Little Mercies, 2014, etc.) makes it clear from the start that nothing should be taken at face value, not Jack’s story about his parents (his mother was actually bludgeoned to death, and his father, now MIA, was the prime suspect) or the seemingly idyllic small-town atmosphere. This, however, does little to heighten the suspense as advice columnist Sarah takes on the role of amateur detective in sniffing out Quinlan family secrets past and present. Through her we meet Jack’s terse cousin Dean and his too-perfect wife, Celia, along with Julia’s husband, Hal, who became like a father to Jack in the wake of his own family tragedy, and Amy, who couldn’t be more stereotypically “troubled.” Jack and Amy’s tragic past, which becomes the central mystery of the plot once Sarah figures out that her husband has been lying to her for two decades, is tied to Julia’s not-so-accidental fall, but only for the purposes of a neatly sewn-up plot.
Light on surprises and character development, this tepid thriller will have most astute readers correctly guessing the ending halfway through.Pub Date: Feb. 2, 2016
ISBN: 978-0-7783-1865-1
Page Count: 288
Publisher: Harlequin MIRA
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Another of Tyler's family portraits: again she draws forth that elusive aura of redemptive family unity—despite snapped loyalties, devastating loneliness, and the conflicts between those who hit life hard and those who "live life at a slant." Ezra Tull—one of Tyler's gentle, bumbling men—is, unlike his meddlesome, reproachful mother Pearl, a "feeder." And at his "Homesick Restaurant," an untidy establishment where he'll solicitously "cook what other people felt homesick for," Ezra sometimes hopefully sets a table for family occasions. But "the family as a whole never yet finished one of his dinners—it was as if what they couldn't get right they had to keep returning to." The family, you see, has never been "right" since that day years before when Pearl's husband Beck left them for good: overburdened with the raising of three young children, lonely and friendless, Pearl became an angry sort of mother to them all, raising them each with a "trademark flaw." Older brother Cody is handsome, bland, a prankster who hides the unloved rage of an unfavorite son—and this drives him to steal Ezra's fiancé Ruth for his own wife. Sister Jenny, deserted by her second husband, given to child abuse, hurt and overworked, is rescued by the family. Gentle Ezra is stuck with mother Pearl—though he comes to see "her true interior self, still enormous, larger than life, powerful. Overwhelming." And when Cody's teenage son Luke hitchhikes, on the crest of one of Cody's pristine rages, from the Virginia home to Ezra in Baltimore, he too is inundated with family miseries. Finally, then, Pearl dies and the family will gather again at the restaurant. But this time they'll be joined by the near-mythical old Beck Tull: can he now ever be part of the family? Well, perhaps—because a life's anger seems to drain as Cody sees all his family "opening like a fan," drawing him in—and Beck, an old man who could not, long ago, take the "tangles" of family, will stay "until the dessert wine." Less magical, perhaps, than other Tylers—but her vision of saving interdependencies and time's witchiness continues to tease and enchant.
Pub Date: March 26, 1982
ISBN: 0449911594
Page Count: 324
Publisher: Knopf
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: March 1, 1982
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