Tales that are emotional and intellectual but almost always moving; a superb collection.
A debut volume of short stories captures small slices of characters’ lives.
Most of the tales in this collection focus on brief incidents, like an EMT, new on the job, watching police deal with a deer struck by his ambulance or a kid trying to run home after getting caught stealing beer. Arias makes a strong impression with his stories, many of which have been previously published in journals and magazines. The time elapsed in a tale might be less than an hour, but he expertly reveals something particular about his characters and hints at something universal. This is obvious from the first story, “Deer Don’t Scream, Do They?” The inexperienced EMT is standing by the side of the road with a couple of cops and the ambulance driver as a deer lies dying on the road. If the animal were a person, the EMT would be helping the injured party. But he can’t, and neither, apparently, can the rookie cop, who makes a mess of trying to put the deer down. In the end, no matter what they do, they all have to move on to the next moment, the next sufferer. Some of the tales are gritty like that one, while others are more esoteric, such as “The Case for Viable Life in Atlantis,” which sets out opening and closing arguments and exhibits to prove that people should be able to breathe underwater. The central metaphor here gets a bit cloudy. Arias’ work is much more striking when he grounds it in more visceral events, no matter how strange the subject matter. In “Closer,” a man who recently lost his wife to illness finds himself drawn to crowds and contact and doesn’t break down to properly mourn until he is rejected after an awkward bathroom encounter. In “Writing Code,” a nerdy kid tries to come out of his shell by hanging mistletoe from trees and overhead wires on the route his crush walks to school. The author sets up the story from a “his and hers” perspective, which not only gives readers a look inside both characters, but also provides a heartbreaking twist.
Tales that are emotional and intellectual but almost always moving; a superb collection.Pub Date: Sept. 30, 2018
ISBN: 978-0-9980116-5-3
Page Count: 132
Publisher: Black Bomb Books
Review Posted Online: Nov. 29, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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