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STARVE THE VULTURE

A MEMOIR

Carney will easily win sympathy for his life, in which he has persevered to show others the hard work of his salvation.

National Poetry Slam finalist Carney’s memoir of his troubled upbringing, drug addiction and eventual grace.

Addicts often refer to a moment of epiphany, when, at their lowest point, they experience a feeling of clarity that puts their disease into perspective. The author vividly describes his moment as a fortuitous brush with death, when, after bingeing on crack, he was driving with a prostitute and a car careened out of control, almost crashing into him at high speed. Dazed, Carney helped the other driver and noticed a crack pipe in his pocket. That man, tossed from his vehicle but seemingly unhurt, could have been him. So begins Carney’s tale of redemption, which is told through time-traveling vignettes that alternate between his fraught childhood and adolescence and the manic, drug-addled events immediately leading to his moment of “grace.” There is a sense of self-indulgence in Carney’s recollections of his lurid self-destruction, but his memory serves to contrast the extremes of his depravity with a newfound meaning in life. If addicts need an excuse to justify their excess, Carney’s list would probably dwarf most. Growing up, his family life was classically dysfunctional. He had a teenage mother and abusive father and teenage years of delinquency, homophobia and criminal apprenticeship. Behind all that, however, was a love of words and reading. Carney even fondly recalls his first encounter with poetry in which he smuggled a book out of the school library after checkout time had ended, later thinking after his first marriage ended after nine months, the “only relationship I believed I needed was with poetry.” His dedication to poetry would lead him to four National Poetry Slam finals and speaking gigs at colleges to decry the types of bigotry and hate that had led him astray.

Carney will easily win sympathy for his life, in which he has persevered to show others the hard work of his salvation.

Pub Date: Jan. 6, 2015

ISBN: 978-1617753015

Page Count: 300

Publisher: Kaylie Jones/Akashic

Review Posted Online: Oct. 19, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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