A quirkily intelligent memoir of finding oneself in movies.
A Brooklyn-based writer and editor’s memoir about how watching John Hughes films as an adolescent gave meaning to his troubled life.
Rolling Stone sports editor Diamond grew up a member of the Jewish minority in suburban Chicago. For the first few years of his life, his mother and his candy manufacturer father lived an American dream that included “two cars [and]…a house…built with the money made from rotting the teeth of children who could only afford to spend a quarter on snacks.” His life changed dramatically after his parents divorced. By the time he was 7, he had attended four different schools and become “the weird kid [whom] nobody knew.” It was then that a babysitter introduced him to Hughes’ Pretty in Pink, which immediately became his favorite film for the comfort it gave him that even kids who were different could “still be cool.” As Diamond grew older and began watching more of Hughes’ movies, he found that they helped him to make sense of things like the social divisions in high school, where “everyone had his or her place, just like in a Hughes movie.” But then his mother, who could not cope with their rocky, adversarial relationship, moved away and left her son to fend for himself. Clinically depressed, homeless, and often drunk or high, Diamond turned even more to Hughes’ feel-good films to help him make sense of an unforgiving world. He then moved to New York, where he decided that he would write the director’s biography. After spending most of his 20s bouncing between Chicago and New York, often unhappy and endlessly revising a book he would never publish, his life finally came together. Both funny and heartbreaking, Diamond’s memoir is not just an account of how one director’s films impacted—and perhaps saved—his life. It is also a memorable reflection on what it means to let go of the past and grow up.
A quirkily intelligent memoir of finding oneself in movies.Pub Date: Nov. 29, 2016
ISBN: 978-0-06-242483-9
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 5, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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