by Jason Elias ‧ RELEASE DATE: Feb. 1, 2017
A colorful, evocative portrait of a spiritual seeker.
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A healer recounts his adventures wandering the world in pursuit of alternative therapies in this rapturous memoir.
Elias, an acupuncturist, starts by recapping his Brooklyn childhood in a Jewish family scarred by the Holocaust; he tells of bonding with female elders and learning about his great-grandmother Esther, a folk healer in Greece. In 1970, the 23-year-old psychology student gravitated to California’s Esalen Institute, where he took mescaline, addressed his self-consciousness about his body through nude group swimming, and studied gestalt therapy, meditation, tai chi, mythic archetypes, the Alexander Technique of relieving stress through posture adjustments, and a painful massage psychotherapy called Rolfing (“Anger coursed through my screams…toward my father, teachers or other authority figures”). Sojourns abroad extended Elias’ knowledge of alternative healing and spirituality. In the Philippines, he says that he witnessed miraculous cures by “psychic surgery” practitioners, who allegedly penetrated patients’ bodies with their hands to remove diseased tissue without incisions, and that he healed patients with the laying on of hands. (He later acknowledges that psychic surgery has been discredited and suggests that “perhaps I was hypnotized into believing what I so wanted to.”) The author then spent five years at the Indian ashram of the controversial guru Bhagwan Shree Rajneesh; he celebrates Rajneesh’s teachings but distances himself from the alleged criminal acts of his followers in the 1980s, after he left the movement. Later chapters describe his traditional Chinese medicine practice. Elias offers an exuberant account of what’s known as the Human Potential Movement, with vivid descriptions of some central figures and haunting supernatural motifs; for example, important events are heralded by a “Black Bird,” an avatar of Esther that manifested as a black bird swooping toward Elias’ car as he drove. The passages that deal with mystical healing doctrine aren’t very compelling. However, Elias’ effusive prose ably conveys the bliss of heightened awareness; after taking LSD at a Grateful Dead concert in Berkeley, California, he writes, he and his companions “began to make the OM sound, and, as we merged our sounds, I felt my body dissolve into All That Is...no fear emerged, only a pervasive sense of gratitude and well-being.”
A colorful, evocative portrait of a spiritual seeker.Pub Date: Feb. 1, 2017
ISBN: 978-0-99-665424-1
Page Count: 434
Publisher: Five Element Healing Press
Review Posted Online: June 5, 2021
Kirkus Reviews Issue: Aug. 1, 2021
Review Program: Kirkus Indie
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by Jason Elias
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Kamala Harris ; illustrated by Mechal Renee Roe
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Matthew McConaughey illustrated by Renée Kurilla
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