Middling.

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THE JANISSARY TREE

Goodwin, an acclaimed travel writer and popular historian, now takes on a mystery, with mixed results.

Goodwin’s history of the Ottoman Empire (Lords of the Horizons, 1999) undoubtedly served him well in this first of a planned series of adventures featuring Inspector Yashim Togalu, a eunuch serving the sultan. The Istanbul of 1836 is an exciting blend of old-world tradition and modern innovation, but there are those who would raise a revolution to stop the clock of progress. The general of the New Guard (a modern, French-trained army) asks Yashim to discreetly uncover the whereabouts of four missing soldiers before the Sultan declares an edict of modern political reforms. Yashim has ten days, but the answers, and the soldiers’ bodies, begin to pile up quickly. Soon, Yashim discovers a plot by the Janissaries, believed to be irretrievably disbanded, to stage a coup. For hundreds of years, the religiously mystic Janissaries worked as the Empire’s protectorate, but in the end became corrupt and dangerous, and not only to the sultan but to the citizens of their own city, as they terrorized with fire. Yashim pieces together the clues with the help of his confidant, the Polish ambassador Palieski, and of his longtime friend Preen, a transvestite dancer. Also requiring Yashim’s attention is a private matter at the palace—a girl from the sultan’s harem has been killed, and priceless jewels are missing. Goodwin has the most tantalizing material to work with—the secret lives of harem girls, the sorrow of eunuchs, sufic mysticism, the bustling metropolis of 19th-century Istanbul—but somehow, what should have been conveyed vividly about this mélange of exotica is instead a bit humdrum. After attempts on his life, and an affair with the Russian ambassador’s wife, Yashim uncovers the conspiracy and saves the city. Goodwin’s mystery is subject to the charisma of the detective—whether he is quirky or clever or tough enough—but our Yashim is more enigma than is good for the plot.

Middling.

Pub Date: May 16, 2006

ISBN: 0-374-17860-7

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2006

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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