As in his debut, Hewitt delivers an intriguingly structured sidebar to World War II, but this time the technique holds...

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DEVASTATION ROAD

One man’s splintered consciousness symbolizes the fracture and confusion spanning Europe after World War II.

In a ravaged landscape strewn with wreckage and bodies, where order has broken down and the population is in flux, a man named Owen Thomas wakes up in a field, in pain, wearing ill-fitting clothes and possessed of mere crumbs of memory. This nightmarish, otherworldly scenario comes slowly into focus as taking place in Czechoslovakia midway through 1945. Owen, concussed and bewildered, finds a companion in the form of Janek, a Czech teenager who's on a mission to find his brother, Petr, a resistance leader. The two start walking together, glimpsing terrors as they proceed, grabbing food and shelter where they can. Encountering other refugees, including Irena, a desperate Polish Jew with a baby, they become part of a human wave moving west, trying to stay ahead of the Russians. Owen has elusive flashbacks to his past in Britain, which sometimes include his brother, Max, or Max’s girlfriend, Connie, or a working life, and slowly the pieces join together, exposing some shameful truths. Irena is searching for the man who raped her so she can give him back her unwanted child. This small band of survivors, connected by quests, falsehoods, and betrayals, is emblematic of tens of thousands of damaged, displaced persons depicted by British writer Hewitt (The Dynamite Room, 2015) in a vista of camps and clotted highways familiar from period newsreels. The book’s most intriguing aspect is the intricate looping of Owen’s memories, which contribute a fever-dream thread of discovery to an otherwise somewhat formless structure. There’s a world of suffering in this story, sincerely portrayed, yet strangely short on warmth.

As in his debut, Hewitt delivers an intriguingly structured sidebar to World War II, but this time the technique holds greater fascination than the characters.

Pub Date: July 3, 2017

ISBN: 978-0-316-31635-4

Page Count: 384

Publisher: Little, Brown

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

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HOMEGOING

A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.

Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Pub Date: June 7, 2016

ISBN: 978-1-101-94713-5

Page Count: 320

Publisher: Knopf

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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