An absorbed reporter grippingly relays the story of a rare trade and the troubled family relations of a talented grifter.
Expanding on his Rolling Stone article, first-time author Kersten tenders a lawbreaker’s script about fake money and an alternative lifestyle, told largely from the viewpoint of the fascinating perp.
Engaging and accomplished counterfeiter Art Williams had a truly rotten childhood, according to the memories he shared with the author. After considerable bad behavior, Dad skipped out, leaving the kids with certifiably crazy Mom. Gangs dictated life and death on the gritty streets of Chicago’s worst neighborhood. Yet there Williams was mentored by benevolent Pete “DaVinci,” a clever printer of bank notes. One day, his teacher was gone, and the young student, with native pluck and instinctive smarts, manfully clawed his way to the top of the counterfeiting heap. Ironically, he only got into trouble with the law after a breakup with a girlfriend led him to sell off his printing equipment, move to Texas and take up robbery. Nabbed in a jewelry heist, he did six years in the Texas penal system and emerged in 1999 swearing he’d stick to bad bills. But the familiar old currency was being supplanted by the “New Note,” whose enhanced paper, watermarks, security strips and microprinting were nearly impossible to replicate. Not for the inventive and proficient Williams, who produced a creditable bogus hundred using glues, sprays, ink, paper, press, camera, scanner and laptop. He wholesaled his product at 30 cents on the dollar, but it was more exciting to pass it on road trips with family and friends. It’s estimated that Williams stimulated his own economy with some $10 million in counterfeit before he was nabbed. His downfall resulted from family problems, especially misplaced filial consideration. Where is our hero now? Just where you would expect, considering that he’s a recidivist.
An absorbed reporter grippingly relays the story of a rare trade and the troubled family relations of a talented grifter.Pub Date: June 11, 2009
ISBN: 978-1-592-40446-9
Page Count: 304
Publisher: Gotham Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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