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236 POUNDS OF CLASS VICE PRESIDENT

A MEMOIR OF TEENAGE INSECURITY, OBESITY, AND VIRGINITY

A young writer finds once more that it isn't too early to look back on his life and laugh out loud.

Mulgrew (Everything Is Wrong with Me, 2010) returns to his formative years at an exclusive prep school for bright boys and finds a ton of absurdist comedy gold to mine.

As a teen, the author enjoyed growing up in a close-knit, lower-middle-class neighborhood in Philadelphia, where scrapes were common and everybody knew your business. But Mulgrew also pined for the rarified atmosphere of elevated learning offered by Saint Joseph's Preparatory School. The author has a good sense of comic timing, whether he’s relating his introduction to the wonderful world of self-gratification or describing his penchant for wearing a full-length fur cape around school grounds. Mulgrew's cynical run for class vice president serves as the penultimate moment of his often-raucous recollections, but there are plenty of other hilarious vignettes along the way. Luckless in love, the author also garners both compassion and condemnation for his feckless way with women. Characters from Mulgrew's previous memoir, like his two-fisted dad and no-nonsense mom, make return appearances that are both funny and profound. Relentlessly self-deprecating yet unabashedly accepting, the author displays a palpable sense of humanity. Things only slightly slow down and threaten to veer into potentially pretentious territory when Mulgrew runs down his all-time favorite songs. He quickly redeems himself, however, with an emotionally honest story involving his father and a rebuilt motorcycle that the ill-equipped son cannot possibly master.

A young writer finds once more that it isn't too early to look back on his life and laugh out loud.

Pub Date: Feb. 12, 2013

ISBN: 978-0-06-208083-7

Page Count: 240

Publisher: Perennial/HarperCollins

Review Posted Online: Dec. 12, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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