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BLOODY MARY’S MARTYRS

THE STORY OF ENGLAND’S TERROR

Nicely told, but lacking depth and highly slanted.

Another on the religious persecutions promulgated by the much-unloved Tudor monarch, this time presented in a lively if highly partisan style reminiscent of John Foxe’s Book of Martyrs.

England during the 16th century was not a good place for anyone with strong convictions. The Reformation began there in 1533 when Parliament decreed that Henry VIII and his successors, rather than the Pope, were to be considered supreme head of the Church in England—thereby guaranteeing that all religious disputes were henceforth to be treated as affairs of state and judged according to the sovereign’s good pleasure. The problem was that the sovereigns couldn’t agree among themselves. Henry VIII suppressed the monasteries (and confiscated their vast resources) but made very few changes in the daily practice of religion. The boy-king Edward VI was a fierce Protestant, Mary I a devout Catholic, and Elizabeth I a pragmatist who wanted to straddle the fence. With each new coronation, the entire populace had to re-conform itself to a new religious dispensation, and those who refused were considered traitors to the crown and dealt with accordingly. Although, in reality, Mary’s reign was no bloodier than her younger sister Elizabeth’s, it accomplished its atrocities in a far shorter span of time, sending some 300 Protestants to the stake in just five years. Ridley (Mussolini, 1998, etc.) gives a good narrative account of many of these victims, who came from every class of English society and usually met their fates with a courage that is hard for modern readers to credit. The gruesome details of death by burning (usually involving a progressive loss of limbs and extremities) are provided with relish, and the background history (e.g., Mary’s disastrous attempt to forge an alliance with Spain by marrying Philip II) is offered as a rough but helpful sketch. The work as a whole, however, is not helped by the author’s apparent acceptance of some of the hoariest myths (e.g., the wholesale corruption of the religious orders, the selling of indulgences) of Whig history.

Nicely told, but lacking depth and highly slanted.

Pub Date: Aug. 1, 2001

ISBN: 0-7867-0854-9

Page Count: 320

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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