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MAXIMILIAN AND JUAREZ

Impressively researched but flatfooted history of Mexico's mid-19th-century struggles for independence, as personified by the main antagonists, Austrian Archduke Ferdinand Maximilian and the Zapotec Indian Benito Ju†rez. Once again, Ridley (Elizabeth I, 1987, etc.), displays near-obsessive fact-gathering abilities but fails to shape his material into an involving narrative. Ridley's title characters were so antithetical they might have been fictional creations: Maximilian—tall, blond, and self- deluding; Ju†rez—short, swarthy, pragmatic. The religious- conservative and secular-liberal elements of Mexican society had long been in conflict, and, Ridley contends, Maximilian and Ju†rez came to represent this conflict in their persons and their attitudes. Driven from power in the 1850's by a liberal government, the ousted conservatives went looking for a European power that could restore their hegemony. Napoleon III, eager for glory, became interested; convincing Maximilian to accept the conservatives' offer to be named emperor, Napoleon sent French troops to Latin America, purportedly to protect France's nationals but in reality to enforce Maximilian's rule. But liberals, despite continual intraparty rivalry, eventually managed to defeat the foreign armies and to topple—and execute—Maximilian. Brimming with fascinating historical figures—in addition to the principals, there are Lincoln, Grant, Francis Joseph of Austria, etc.—but Ridley sticks mostly to the facts, probing neither motivation nor character, and so fails to vivify his sprawling action and its players. (Eight-page photo insert—not seen).

Pub Date: Nov. 10, 1992

ISBN: 0-89919-989-5

Page Count: 320

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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