by Jasper Ridley ‧ RELEASE DATE: Nov. 23, 1998
This new biography will refine our portrait of a 20th-century dictator. It has been Mussolini’s great historical fortune that he shared the stage with Hitler and Stalin. Overshadowed by the barbarism of his two contemporaries, Mussolini has reaped the benefit of appearing benign while Hitler and Stalin continue to battle for supreme title of the 20th century’s worst dictator. Another historical anomaly was that Mussolini was initially praised by many Western leaders, most warmly by Winston Churchill and influential persons in the US. Ridley, a lawyer and author of more than 15 historical biographies, shares these opinions. Ridley correctly admonishes an earlier historiographical and political tradition that saw Mussolini as a mere buffoon, gesturing wildly during his many balcony speeches. No buffoon remains in power for two decades. This is a more nuanced portrait, showing Mussolini hesitant and undecided at times, willing to cooperate with other governments when it suited his designs. Of particular value is Ridley’s description of Mussolini’s early life and career, usually given short- shrift in other biographies of the dictator. A full third of the book is devoted to these early years, including information on his family, education, war experience, and eventual expulsion from the Italian Socialist Party for advocating intervention in the Great War. Mussolini was a complex and often contradictory man, as exemplified by his early political career as a revolutionary socialist. But Ridley is sometimes overly sympathetic with his subject: fascist violence is not depicted in its full savagery, while antifascists who attempted to assassinate the dictator are called “terrorists” (without the accompanying ironic quotes). Although the fascist Gabriel Garc°a Lorca regime cannot claim the number of victims destroyed by Stalin or Hitler, fascists were skilled in the political use of violence and terror, having the distinction of organizing the first death squads, the infamous Blackshirts or squadristi. The writing here is sometimes dry and particularly British. Still, though not without its flaws, this is a valuable introduction to Mussolini.
Pub Date: Nov. 23, 1998
ISBN: 0-312-19303-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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