by Jay Atkinson ‧ RELEASE DATE: Sept. 18, 2001
An artful class portrait of a town seen through the lens of a game, a tight-throated personal journey back into youth, and a...
Writing part memoir, part chronicle of a high-school hockey season, journalist and novelist Atkinson (Caveman Politics, 1997) takes readers along on his emotional ride as assistant coach of the 1999–2000 Methuen Rangers.
Atkinson grew up in Methuen, a one-time working-class town in Massachusetts now undergoing gentrification. Here, he returns to his high-school alma mater, 25 years after he played goalie for the school team, to record the current season. Like the newsman he is, Atkinson keeps his writing of the moment, which works beautifully for this nonstop sport. Hockey is elemental to Methuen, a part of the town’s collective identity, corralling entire families to sustain the expenses and long hours demanded from Methuen’s still essentially working class team. But a parent could ask for no better coach than Joe Robillard—“We’re here to help the kids, plain and simple”—the kind of sportsman who understands that passions are born, not made out of a parent’s inflated expectations, that you must work hard for your dreams, but they have to be your dreams to begin with. As Robillard puts his team through their paces, Atkinson laces the narrative with his personal experiences with hockey—from the pure, near-ancestral, qualities of pond hockey, through his high-school days, to his current old-man’s league—and proud, big-hearted stories of his five-year-old son’s early hockey experiences. Atkinson has evocative power, whether it be in describing the olfactory insult of a hockey locker room, the ebullience that attends a sharply played game, the sound of skates, cutting over ice, echoing off a far hillside, remembering the dedication of his father and hoping he can measure himself by that standard, or detailing the tribulations of high-school life: parents with cancer, loser friends, making mistakes and making amends, and hormones, hormones, hormones.
An artful class portrait of a town seen through the lens of a game, a tight-throated personal journey back into youth, and a keen description of the life force that hockey can be.Pub Date: Sept. 18, 2001
ISBN: 0-609-60706-5
Page Count: 272
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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