AIDS horror fantasy by Laws, who died at 34, of an AIDS- related illness, a week after completing final changes on the manuscript. Laws ties together three stories here. The main one, the bulk of the book, has a knockout premise that he follows through neatly as part of the horror genre. But it's a premise that could have gone in a stronger direction, that of straight drama rather than melodrama, to greater effect. In San Francisco, Jimmy Jiggers, called ``Jiggs,'' inherits money from his late parents' insurance and moves with his deaf lover Luke to a cozy cottage at Lands End. Then a beautiful white Cadillac limousine from the house across the street hits Luke, who is hospitalized. While he's alone in the cottage, Jiggs is shocked by strange events, especially a grisly corpse that rises from a grave and tells him the novel's main story—a story that begins with Sam, a gay garage mechanic hired to fix the white limo, who is seduced by the limo's chauffeur, Joe. When Sam and Joe are interrupted by Joe's employer, Sam gets killed and his astral body floats above the other two men, then gets absorbed into the haunted limo. Next comes the story of Brent, who has ``the Look.'' Overbundled, he still looks grotesquely thin, which is the wrong look. But he meets a Mephistophelean figure, a lover who once had AIDS but now radiates health. ``I'd kill to have my looks back!'' Brent cries, and, lo, a man sells him the same drink that resurrected his old lover and brings on the right Look: superhealth. But Brent must do dirty deeds for more of the drink, whose formula involved the blood of innocent children. Innocence is the drink. Slowly, the tale veers into conventional melodrama, not into Faust or Death in Venice. Given the genre, a good read—and the themes based on gay love and AIDS add an undercurrent of real feeling.
Pub Date: June 1, 1993
ISBN: 1-55583-217-2
Page Count: 288
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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