A profound, witty, and compassionate work with a compelling protagonist and message.
A 14-year-old girl tries to make sense of a raven’s announcement that she’s a prophet in Heinrichs’ novel.
Call her Jonah. The former Joan Mudgett adopted her father’s name after he disappeared—the same day her mother was murdered, more than a year ago. She’s certain that he had nothing to do with the crime, and she wants only to find the true “evil doer.” It’s now early January, and Joan lives alone in the family house at the foot of Jumper Mountain in New Hampshire, helped out by her teacher and friend, Mary Sullivan. When she’s not rereading Moby-Dick, she often patrols her surroundings on skis; on one such outing, she’s greeted by a talking raven who says, “I am Gabriel, come to appoint you humanity’s most sacred voice.” According to the raven, her prophecies are supposed to “create a favorable carom, a swerve, a divergence” to steer humanity away from terrible events. After other kids at school start a rumor that she hears voices, she’s pressed for predictions, so she makes some at random, expecting them to come to nothing—but they appear to come true instead. Joan decides to admit that she really is a prophet, with her message being that the world is too noisy: “Think how much more you can learn by shutting up. Being quiet.” As the quietness movement hilariously snowballs (and is monetized), Joan finally learns the truth about her parents. Heinrichs has also written three nonfiction books on rhetoric, and his debut novel is utterly engaging and complex as it combines comedy, tragedy, a coming-of-age story, social commentary, timely reflections on the Covid-19 pandemic, and scintillating philosophy about the biosphere. As the raven says, humans miss the beauty of other species’ communications: “You are surrounded by creatures who compose poetry and sparkling dialogues with smells, colors, shadows, and eloquent pauses.” Joan’s outsize impact on world events is made more plausible by her enormous charisma, courage, and independence over the course of the novel.
A profound, witty, and compassionate work with a compelling protagonist and message.Pub Date: March 18, 2021
ISBN: 978-1-73672-660-0
Page Count: 384
Publisher: Gavia Books
Review Posted Online: April 2, 2021
Kirkus Reviews Issue: June 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.
What would you do if you knew when you were going to die?
In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).
A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.Pub Date: Sept. 10, 2024
ISBN: 9780593798607
Page Count: 512
Publisher: Crown
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
SEEN & HEARD
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