by Jay Parini ‧ RELEASE DATE: Aug. 4, 2020
A captivating chronicle and homage.
The renowned biographer, novelist, and poet recounts his transformative youthful journey with a famed literary master.
In 1971, when he was a graduate student at St. Andrews University in Scotland, Parini took two short journeys—here combined into one weeklong trip in order to maintain “narrative efficiency”—in the company of Jorge Luis Borges (1899-1986), who was visiting one of Parini’s mentors. At the time, Parini had not read anything Borges had written, and he was surprised that his friends not only knew of the Argentine writer, but held him in the highest esteem. At first, Parini saw Borges only as a garrulous, “difficult and self-involved” old man, given to nostalgic memories of a lost love and disquisitions on an astonishing range of literature. He needed constant attention due to his blindness and constant acquiescence to his impetuous needs. Still, Parini agreed to squire Borges around the Scottish Highlands, serving as his guide, aide, and, especially, his eyes. Parini delivers vibrant descriptions of clouds and rain, earth and sun: “the bright lakes, the fertile land with stone barns and hillsides smudged with white-and-gray sheep,” the oaks with crooked limbs, and the dark waters of Loch Ness, in which their rowboat capsized. Parini decided that one should never take a “childlike, irascible, and unpredictable” old blind man in a rowboat. But by the end of their travels together, Parini realized that Borges was extraordinary: a man who glowed with “an enigmatic brilliance. One felt somehow more intelligent, more learned and witty, in his presence. The universe itself felt more pliable and yielding, and so available.” Parini’s vividly detailed memoir, replete with verbatim conversations, is the result of much shaping and retelling, first in fragments over the years, later as a novel, and then as “a kind of novelistic memoir,” which, Parini writes, “survives in its transformation into this text.”
A captivating chronicle and homage.Pub Date: Aug. 4, 2020
ISBN: 978-0-385-54582-2
Page Count: 320
Publisher: Doubleday
Review Posted Online: April 25, 2020
Kirkus Reviews Issue: May 15, 2020
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by Robert Frost ; edited by Jay Parini ; illustrated by Michael Paraskevas
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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