by Jay Parini ‧ RELEASE DATE: Aug. 4, 2020
A captivating chronicle and homage.
The renowned biographer, novelist, and poet recounts his transformative youthful journey with a famed literary master.
In 1971, when he was a graduate student at St. Andrews University in Scotland, Parini took two short journeys—here combined into one weeklong trip in order to maintain “narrative efficiency”—in the company of Jorge Luis Borges (1899-1986), who was visiting one of Parini’s mentors. At the time, Parini had not read anything Borges had written, and he was surprised that his friends not only knew of the Argentine writer, but held him in the highest esteem. At first, Parini saw Borges only as a garrulous, “difficult and self-involved” old man, given to nostalgic memories of a lost love and disquisitions on an astonishing range of literature. He needed constant attention due to his blindness and constant acquiescence to his impetuous needs. Still, Parini agreed to squire Borges around the Scottish Highlands, serving as his guide, aide, and, especially, his eyes. Parini delivers vibrant descriptions of clouds and rain, earth and sun: “the bright lakes, the fertile land with stone barns and hillsides smudged with white-and-gray sheep,” the oaks with crooked limbs, and the dark waters of Loch Ness, in which their rowboat capsized. Parini decided that one should never take a “childlike, irascible, and unpredictable” old blind man in a rowboat. But by the end of their travels together, Parini realized that Borges was extraordinary: a man who glowed with “an enigmatic brilliance. One felt somehow more intelligent, more learned and witty, in his presence. The universe itself felt more pliable and yielding, and so available.” Parini’s vividly detailed memoir, replete with verbatim conversations, is the result of much shaping and retelling, first in fragments over the years, later as a novel, and then as “a kind of novelistic memoir,” which, Parini writes, “survives in its transformation into this text.”
A captivating chronicle and homage.Pub Date: Aug. 4, 2020
ISBN: 978-0-385-54582-2
Page Count: 320
Publisher: Doubleday
Review Posted Online: April 25, 2020
Kirkus Reviews Issue: May 15, 2020
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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