by Jayme Alencar de Oliveira Filho ‧ RELEASE DATE: July 9, 2024
A rousing, if overly optimistic, love letter to the United States.
A foreign-born dentist reflects on his love for the United States in this nonfiction work.
The author, who lives in Chesapeake, Virginia, didn’t become a U.S. citizen until adulthood, but he claims that, despite his birth and upbringing in Brazil, he “was born an American.” In this homage to the nation he calls home, the author notes, “America is not a place; it is an ideal…defined by its relentless pursuit of dreams and justice.” Comprising a dozen brief essays of no more than a few pages, the collection provides a patriotic interpretation of the fundamentals of American history and government, with celebratory chapters on the Declaration of Independence, the Constitution, the Pledge of Allegiance, and “What’s right about America” (the answer to which, writes Filho, is its diversity, innovation, and grassroots democratic ethos). Most notably, given the nature of contemporary political discourse, the author refuses to wade into the fraught terrain of culture wars or partisanship. The essay on “American Presidents,” for example, highlights inspirational speeches delivered by both Republicans and Democrats, from Abraham Lincoln and Theodore Roosevelt to John F. Kennedy and Barack Obama, noting how the bipartisan array of politicians reflects “the enduring values” of the nation. While the book takes a positive approach to American history, its emphasis on diversity, inclusivity, and the importance of robust, democratic voting rights sets it at odds with far-right rhetoric increasingly prevalent on social media. Alternately, its neoliberal outlook emphasizes the role of entrepreneurship and a philosophy of hard work that “teaches us that easy is the worst enemy of progress.”
Alternately, other readers may be uncomfortable with the hagiographic approach to America’s Founding Fathers and history. The entry on “American Exceptionalism” centers on Abraham Lincoln’s sweeping vision delivered in the Gettysburg Address, but it fails to note the role of exceptionalism in America’s wars against Native Americans or imperialism in the Philippines and Hawaii. Glaringly, the words “racism” and “segregation” don’t appear at all in the text, painting a skewed portrait of American history that never challenges the unambiguous claim that the U.S. represents “a beacon of hope and possibility.” Scholars will most certainly squabble with the work’s uncritical approach and lack of citations. As a collection of self-described “love letters to America,” however, the book delivers its promised message. In addition to ably emphasizing the draw of the American dream to a naturalized citizen, Filho writes with an impassioned, engaging style. The author of multiple SF novels, Filho is a talented writer whose enthusiasm for the United States infuses every page. The absorbing essays are accompanied by full-color images and patriotic ornamentation. Also included is an original poem that commemorates America as a “land where dreams can still take flight.” At just over 70 pages, those expecting a nuanced take on American history will be sorely disappointed, while those seeking a refreshingly nonpartisan celebration of American democracy will find a jubilant celebration here. More attention could have been paid to the layout of its chapters, which appear to have no thematic or chronological organization, and the book abruptly concludes with a history of the Declaration of Independence.
A rousing, if overly optimistic, love letter to the United States.Pub Date: July 9, 2024
ISBN: 9781962185264
Page Count: 71
Publisher: Underline Publishing LLC
Review Posted Online: Aug. 16, 2024
Review Program: Kirkus Indie
Share your opinion of this book
More by Jayme Alencar de Oliveira Filho
BOOK REVIEW
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Awards & Accolades
Likes
807
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Share your opinion of this book
More by David Grann
BOOK REVIEW
by David Grann
BOOK REVIEW
by David Grann
BOOK REVIEW
by David Grann
More About This Book
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Share your opinion of this book
More by Elie Wiesel
BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.