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MOTHERKIND

An ambitious if uneven attempt to write passionately in a minor key about commonplace yet central life experiences.

Responsibility for a dying parent, taking pleasure in a first baby, marriage to a man with kids and an angry ex-wife. Despite her gift for gorgeous prose, Phillips (Shelter, 1994, etc.) is not entirely successful in breathing new life into this combination of domestic dramas so familiar in fiction and women's lives today.

Kate Tateman, a poet in Boston, is pregnant. Involved with the expectant father, Matt, for eight months, she cannot marry him until his divorce is final. Not that his first marriage's breakup was Kate's fault—the ex-wife left first—but Kate must deal with Matt's two young sons' difficulties adjusting to her. Meanwhile, in Virginia, Kate's mother, Katherine, has been diagnosed with terminal cancer. Mother and daughter are close, with few frictions, and no one questions that Kate will be Katherine's primary caretaker when the time comes. As Kate's pregnancy progresses, so does Katherine's cancer, and she moves in with Kate and Matt in Boston. The baby is born, Matt and Kate marry, Matt's sons make noisy, sometimes heartbreaking demands, Katherine weakens. Kate feeds, launders, nurtures. Her often thought-provoking musings are refreshingly lacking in cynicism, although her interspersed memories of a visit to India the year before, when she was free of responsibility, seem a bit contrived. At her best, Phillips builds scenes through sensory details and sharp dialogue. Kate's passionate love for her infant son is particularly well rendered, as is her deep tenderness toward her mother. Unfortunately, though, the story itself drags, thanks in part to needlessly repetitive bits of basic information. Meanwhile, Kate's relationship with Matt, who lacks a defined personality, never rises above lukewarm. And because Phillips insulates Kate from any character flaws, anger, or even much regret, Kate feels a little too perfect, too smart, her righteousness somewhat off-putting. No Pampers for her baby.

An ambitious if uneven attempt to write passionately in a minor key about commonplace yet central life experiences.

Pub Date: May 3, 2000

ISBN: 0-375-40194-6

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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SUMMER SECRETS

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...

Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.

By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.

Pub Date: June 23, 2015

ISBN: 978-1-250-04734-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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