An often valuable primary account of the Vietnam War from a self-described “attitude-challenged” author.
A debut memoir about a soldier’s stint in the U.S. Air Force from 1965 to ’69.
Randers, a Vietnam veteran from Minnesota, takes a melancholic tack while recounting the time he spent stateside at the end of the tumultuous ’60s—a tone that recalls Tim O’Brien’s work in the 1990 short story collection The Things They Carried. Randers never encountered the carnage of combat (“I was lucky, no more can be said”), but death still seemed just around the corner throughout his enlistment. The pages are filled with adventures that emerged from this existential pressure, generally calling to mind accounts by his mentioned literary forebears—John Steinbeck, Ernest Hemingway, Jack London, and, especially, Jack Kerouac. However, Randers’ prose, with some exceptions, has fewer distinguishing lyrical or rhythmic features than those authors’; when it drags, it feels as if one is reading a hastily composed diary. Its plain style is sometimes clear and fresh, though, with occasional moments of crystalline retrospection: “We were trapped in a changing world between our civilian belief and our military commitment, and that nasty little war in Southeast Asia.” Overall, the book offers an account of military work and life but also focuses on a group of young people and the art they consumed, the drugs they took, the love they made, the cars they owned, the travel they managed, the music they heard, the books they read, the theater they witnessed, and the food they ate—as in a delightfully sensual description of a meal hunted, cooked, and enjoyed in the rugged Alaskan backcountry: “…and voilá! Fresh duck and vegetables perfectly done. It was scrumptious, especially in that pristine wilderness, and how entrancing that aroma was, freshly cooked duck co-mingled with the sweet smell of the tundra by the rushing, clear, cold waters of the Yukon River.” Included at the conclusion of each section is a “Songs of the times” list followed by an epigraph postscript—an intriguing structural quirk.
An often valuable primary account of the Vietnam War from a self-described “attitude-challenged” author.Pub Date: Sept. 17, 2019
ISBN: 978-1-68201-099-0
Page Count: 266
Publisher: Polaris Publications
Review Posted Online: March 27, 2020
Review Program: Kirkus Indie
PROFILES
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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