A tough-as-nails Delta Force vet who freelances for the CIA teams up with a Mossad lovely to hunt down a ruthless terrorist known only as Dieter in a twisty, to-the-ends-of-the-earth technothriller from Pollock (Threat Case, 1991; Payback, 1989, etc.). A sometime member of East Germany's secret police, the chameleon-like Dieter obtains from his late father (a former SS major) a roster of those to whom the Nazis sold stolen art treasures during WW II. To raise the millions he needs to revive the Red Army Faction, Dieter tracks down the surviving owners, killing them and selling their illicit masterpieces on the international black market. His murderous exploits on two continents soon put Langley, Tel Aviv, and Moscow on the renegade Stasi officer's trail. Leading the manhunt is Mike Semko, a fortysomething hard case who has a personal score to settle with Dieter. Semko is reluctantly paired with Rachel Sidrane, an American-born Israeli citizen who knows her way around fine art— and modern weaponry. As the odd couple tracks Dieter along his corpse-strewn way from N.Y.C.'s Upper East Side to rural England, Paris, and beyond, they begin to realize there's rather more to Goering's little list than their duplicitous masters have told them. Nor do Mike and Rachel know until late in the game that the SVR (the KGB's successor) has dealt itself in. They persevere, however, and eventually corner Dieter, gunning him down in a spectacular shootout at his lair deep in the Black Forest. Slam-bang action (including a high-noon car chase through Midtown Manhattan), technical detail that attests to the author's familiarity with state-of-the-art hardware, wide-ranging plotlines that are kept under firm control, and characters of above-average complexity—all make for a vastly entertaining exercise in haute hokum.

Pub Date: June 3, 1993

ISBN: 0-385-29960-5

Page Count: 384

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1993

Did you like this book?

No Comments Yet

An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?