by Jean H. Baker ‧ RELEASE DATE: Sept. 14, 2005
A lucid account that humanizes historical figures hitherto rolled up into a single image.
Public work, private lives: a thoughtful portrait of five women’s-rights pioneers.
Baker (History/Goucher Coll.; The Stevensons, 1996, etc.) is right to suggest that our view of the suffragists is gray and one-dimensional: “We conflate them into one middle-class overweight white woman with a severe look, hair unflatteringly pulled behind her ears, dressed in a high-necked black dress with a lace collar and cameo pin for decoration.” In fact, she observes, the early feminists were a diverse lot, though with some commonalities—many, for instance, had suffered at the hands of fathers or husbands and therefore understood firsthand the injustices wrought on women by virtue of mere gender. Lucy Stone, Susan B. Anthony, Elizabeth Cady Stanton, Frances Willard and Alice Paul, each of whom Baker considers indispensable to the women’s movement, were quite different, each possessing a different reason for advocating women’s right to vote: Stanton wished to advance women’s rights generally, for example, while her ally Anthony paid closer attention to the rights of working women. Baker carefully traces the origins of these various emphases while linking them to episodes in the leaders’ lives: Stone, foremost a champion of women’s education, attended college against her father’s wishes; it took her nine years to save enough to pay a year’s tuition, but her success there swayed her father to lend her money for the next year. Anthony, no stranger to “same-sex passion,” and Stanton, married for 47 years, forged an alliance of ideas and activism while finding reasons to disagree on many points. And Willard campaigned vigorously not only for women’s rights but also for “sexual purity” and temperance, motivated by the death of a brother to alcoholism and the certainty that women who smoked and danced could have no self-respect.
A lucid account that humanizes historical figures hitherto rolled up into a single image.Pub Date: Sept. 14, 2005
ISBN: 0-8090-9528-9
Page Count: 288
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2005
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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