Wicked entertainment.
A less-than-grief-stricken widow follows in her novelist husband’s bestselling footsteps but finds that someone knows more about her than is safe—for either of them.
Anna Williams-Bonner has no burning literary vocation, and she certainly has no need to bury herself in work to recover from her spouse’s tragic supposed suicide. But an idle remark while she’s on the road promoting Jacob Finch Bonner’s posthumously published final work prompts her powerhouse agent—the one she inherited along with Jacob’s royalty checks—to get her into an artists’ colony; Anna, whose years working on a Seattle radio show prepping a lazy boss for author interviews have given her zero respect for the literary world, figures it can’t be all that hard to produce autobiographical fiction exploiting her alleged bereavement. Readers of The Plot (2021) already know that Anna is not at all what she seems, and this successor volume’s deliciously nasty narration (third-person, but from Anna’s point of view) creepily depicts the inner life of a perennially aggrieved, viciously vindictive, and alarming resourceful sociopath. At a signing for her novel, a Post-it note stuck inside one copy of the book warns Anna that someone knows about the past she has worked assiduously to bury. Tracking down this threat to her new prosperity and status requires Anna to revisit that past, and as she does readers learn in grim detail about the long trail of misdeeds she’s left behind her. One wonderfully ironic plot twist plays on the publishing world’s infamous slush piles, unsolicited manuscripts that molder unread for years in editorial offices; another reveals a rare misstep by Anna. A slew of barbed characterizations—there are no good guys here—add to the mean-spirited fun. The conclusion suggests that Korelitz may decide to emulate Patricia Highsmith and keep her antisocial protagonist around for more enjoyably amoral outings.
Wicked entertainment.Pub Date: Oct. 1, 2024
ISBN: 9781250875471
Page Count: 304
Publisher: Celadon Books
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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