Deftly rendered portraits of two “poster Moms” of today.
A vivid, lightly fictionalized Motherhood 101 as two women, worlds apart, find common ground in facing the challenges of child-raising.
The two women—Anna, a noted photographer married to Eliot, a fellow academic; and Cerise, a single mother and high-school drop-out—neatly reflect current anxieties about parenting in this story that’s yet more about plight than plot. In graduate school, Anna had an abortion, and she’s still troubled—and has never told Eliot about it. Her daughter, Lucy, was an easy baby and a delight, and life was good. Then Eliot failed to get tenure and, now, they have to leave their farmhouse home and move to urban California. There, in an unfamiliar hospital, Anna gives birth to Ellen. The second birth is difficult. Ellen spends time in intensive care, and Anna, tired and depressed, later finds it hard to work at her photography. She’s also lonely, and the once easygoing Lucy is now nervous and troubled by nightmares, especially about a local little girl who has disappeared. Good day care is hard to find, too, and expensive. Cerise is even worse off; she got pregnant in high school, dropped out to raise daughter Melody, and has worked as a cleaning woman for a nursing home. She didn’t mind while Melody was young and still happy to spend her time with Mom. But now an adolescent, Melody is critical, has odd friends, is drinking and having sex. Cerise finds some consolation in an affair that produces baby Travis, but, though he’s adorable, she needs to work when her welfare payments end. Shortly after, Melody runs off with her friends, Travis dies in a fire, Cerise loses everything and must move into a shelter—in the same town where Anna now lives. The two meet when Anna is checking out day care for her daughters, and they’re briefly able to help each other move on.
Deftly rendered portraits of two “poster Moms” of today.Pub Date: April 20, 2004
ISBN: 0-7434-7007-9
Page Count: 352
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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