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TIME OUT FOR MONSTERS!

Parents and educators may frown at the messy choices made here, but budding artists and those who have ever felt...

A pointed finger sends a boy to a “time out” and into a colorful world he creates with crayons and his overactive imagination.

Reidy lets the text come from the punished protagonist: “There’s a corner in my house that needs some fixing up… / Mom says it’s fine, but I know better. I spend a lot of time there.” The boy begins drawing and daydreaming in an infectious, rambling way. Each good idea leads to a bigger, better and more elaborate one. Neubecker increasingly fills the spreads with brightly colored, boldly outlined pictures inspired by the rapid-fire narration. A window leads to flowers, and then additions of dinosaurs, a monster, a monster truck, a truck loaded with ice cream and on and on, until his vivid thoughts completely fill a double gatefold. But readers soon discover that his thoughts are real drawings that make up an elaborate mural over the walls near his corner, which he must now clean up. Readers will relate to the main character’s boredom and spunky reaction. Like Max with his Wild Things, this boy takes control in his own age-appropriate way.

Parents and educators may frown at the messy choices made here, but budding artists and those who have ever felt misunderstood will cheer on this “time out” king. Purple footprints leading off the final page point to further creative pursuits. (Picture book. 3-6)

Pub Date: July 31, 2012

ISBN: 978-1-4231-3127-4

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: July 17, 2012

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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