Zimmerman tells an intriguing history from the available evidence, but Sargent’s subjects ultimately remain out of reach.
by Jean Zimmerman ‧ RELEASE DATE: March 13, 2012
Zimmerman (The Women of the House: How a Colonial She-Merchant Built a Mansion, a Fortune, and a Dynasty, 2006, etc.) examines the mysterious couple in John Singer Sargent’s famous painting Mr. and Mrs. I.N. Phelps Stokes.
This “Gilded Age romance” is both a starry-eyed look at how the wealthy lived during the turn of the century and a love story full of highs and lows. The woman in the painting was Edith Minturn, nicknamed “Fiercely” for her independent streak, whose family made a fortune from shipbuilding, which it lost and regained. The man in the painting was her husband I.N. Phelps Stokes, who, though his family was in banking, was set on becoming an architect. The portrait that immortalized them was a wedding gift to the new couple, intended to show the new bride in all of her elegant finery. Instead, Sargent presented a portrait of young American vitality and, possibly, a feminist statement in a time when women were struggling for the right to vote. Zimmerman, like Sargent, sees something more in these two. She was a classic beauty who served as the model for the Statue of the Republic at the famous World’s Columbian Exhibition and became a devoted wife, mother and advocate for the poor. He was a talented builder whose dreams of affordable housing for the underclass were derailed by an obsessive desire to complete a massive study titled The Iconography of Manhattan Island. Their lives were big but not dramatic; they were the kind of people who would have inspired James and Wharton, but whose own stories seem mostly interior.
Zimmerman tells an intriguing history from the available evidence, but Sargent’s subjects ultimately remain out of reach.Pub Date: March 13, 2012
ISBN: 978-0-15-101447-7
Page Count: 320
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Dec. 28, 2011
Kirkus Reviews Issue: Jan. 15, 2012
Categories: GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY | BIOGRAPHY & MEMOIR | HISTORICAL & MILITARY | UNITED STATES | HISTORY
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BOOK REVIEW
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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