by Jean Zimmerman ‧ RELEASE DATE: March 13, 2012
Zimmerman tells an intriguing history from the available evidence, but Sargent’s subjects ultimately remain out of reach.
Zimmerman (The Women of the House: How a Colonial She-Merchant Built a Mansion, a Fortune, and a Dynasty, 2006, etc.) examines the mysterious couple in John Singer Sargent’s famous painting Mr. and Mrs. I.N. Phelps Stokes.
This “Gilded Age romance” is both a starry-eyed look at how the wealthy lived during the turn of the century and a love story full of highs and lows. The woman in the painting was Edith Minturn, nicknamed “Fiercely” for her independent streak, whose family made a fortune from shipbuilding, which it lost and regained. The man in the painting was her husband I.N. Phelps Stokes, who, though his family was in banking, was set on becoming an architect. The portrait that immortalized them was a wedding gift to the new couple, intended to show the new bride in all of her elegant finery. Instead, Sargent presented a portrait of young American vitality and, possibly, a feminist statement in a time when women were struggling for the right to vote. Zimmerman, like Sargent, sees something more in these two. She was a classic beauty who served as the model for the Statue of the Republic at the famous World’s Columbian Exhibition and became a devoted wife, mother and advocate for the poor. He was a talented builder whose dreams of affordable housing for the underclass were derailed by an obsessive desire to complete a massive study titled The Iconography of Manhattan Island. Their lives were big but not dramatic; they were the kind of people who would have inspired James and Wharton, but whose own stories seem mostly interior.
Zimmerman tells an intriguing history from the available evidence, but Sargent’s subjects ultimately remain out of reach.Pub Date: March 13, 2012
ISBN: 978-0-15-101447-7
Page Count: 320
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Dec. 27, 2011
Kirkus Reviews Issue: Jan. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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