by Jeanna Kadlec ‧ RELEASE DATE: Oct. 25, 2022
Both memoir and thesis, this book highlights a cultural, social, and spiritual journey that will resonate with many.
In a memoir of discovery and unlearning, a Midwest girl finds religious freedom on the East Coast.
Veering from scholarly and self-assured to angry and doubtful, Kadlec chronicles her experiences being raised by evangelical Christians and her subsequent deconstruction and rebuilding of everything she thought she knew about herself. Opening with her trip to the county courthouse where she filed her divorce papers, the author doesn’t try to surprise us with shocking twists or turns. Instead, Kadlec tells us the story of her life so far in bits and pieces, interspersed with graduate-level research. This approach along with accounts of her childhood that never seem to go as deep as they could combines in a narrative technique that sometimes feels like it is meant to keep readers at arm’s length. The researched pieces—about the origins of evangelicalism, the 1990s explosion of purity culture, and the roots of misogyny and racism in the church—are fascinating, but more interesting is Kadlec’s personal journey. She grew up and out of evangelicalism but not before she was taught to hate her body, endured a disastrous marriage, and found her relationship with Jesus much more fraught than her younger self would have thought possible. Traveling from Iowa to Wisconsin as a child with her family, Kadlec was sure that college was her “ticket out…a guarantee I wouldn’t end up like my mom: stuck in a nowhere town, financially trapped in a no-good marriage with a man who provided for you but didn’t appreciate you.” However, the author discovered that higher education was “only another example of liberal America’s and academia’s own cruel optimism, where what is given financially, energetically, emotionally, and even physically, so overwhelmingly, and so often, exceeds the actuality of what is received.” Ultimately, Kadlec found peace in Brooklyn and acknowledgement of her true identity as a queer woman.
Both memoir and thesis, this book highlights a cultural, social, and spiritual journey that will resonate with many.Pub Date: Oct. 25, 2022
ISBN: 978-0-358-58181-9
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Kamala Harris ; illustrated by Mechal Renee Roe
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