Walls turns what could have been another sentimental girl-on-the-run-finds-home cliché into a fresh consideration of both...
Memoirist Walls, who has written about her own nomadic upbringing (The Glass Castle, 2006) and her remarkable grandmother (the novelized biography Half Broke Horses, 2009), turns to out-and-out fiction in this story about two young sisters who leave behind their life on the road for the small Virginia town their mother escaped years before.
By 1970, 12-year-old Bean and 15-year-old Liz are used to moving from town to town with their would-be actress/singer mother, Charlotte. When Charlotte takes off to find herself in San Diego, the Holladay sisters know how to fend for themselves, living on potpies and getting themselves to school for several weeks. But then the authorities start sniffing around. Scared they’ll be carted off to foster care, Liz decides they should head cross-country to Byler, Va., the hometown Charlotte left for good when Bean was still a baby. Clearly, Walls borrows from her own experience in describing the girls’ peripatetic life, but she doesn’t waste undue time on the road trip before getting the girls to Byler, where the real drama begins. The Holladays used to own the town’s cotton mill, but all that’s left is the decaying mansion where Charlotte’s widowed brother still lives. Less cutesy eccentric than he first seems, Tinsley gives the girls the security they have missed. Tinsley also reflects Byler itself, a conservative Southern town struggling to adjust to shifting realities of racial integration and the Vietnam War. Bean joins the newly integrated school’s pep squad and thrives by assimilating; creative, sensitive Liz chafes under pressure to conform. Then, Charlotte shows up wanting to take the girls to New York City. Walls throws in an unnecessary melodrama concerning an evil bully of a man who threatens Liz with violence and worse, but the novel’s strength lies in capturing the complexity of Bean’s and Liz’s shifting loyalties.
Walls turns what could have been another sentimental girl-on-the-run-finds-home cliché into a fresh consideration of both adolescence and the South on the cusp of major social change.Pub Date: June 11, 2013
ISBN: 978-1-4516-6150-7
Page Count: 288
Publisher: Scribner
Review Posted Online: March 10, 2013
Kirkus Reviews Issue: April 1, 2013
PROFILES
Another of Tyler's family portraits: again she draws forth that elusive aura of redemptive family unity—despite snapped loyalties, devastating loneliness, and the conflicts between those who hit life hard and those who "live life at a slant." Ezra Tull—one of Tyler's gentle, bumbling men—is, unlike his meddlesome, reproachful mother Pearl, a "feeder." And at his "Homesick Restaurant," an untidy establishment where he'll solicitously "cook what other people felt homesick for," Ezra sometimes hopefully sets a table for family occasions. But "the family as a whole never yet finished one of his dinners—it was as if what they couldn't get right they had to keep returning to." The family, you see, has never been "right" since that day years before when Pearl's husband Beck left them for good: overburdened with the raising of three young children, lonely and friendless, Pearl became an angry sort of mother to them all, raising them each with a "trademark flaw." Older brother Cody is handsome, bland, a prankster who hides the unloved rage of an unfavorite son—and this drives him to steal Ezra's fiancé Ruth for his own wife. Sister Jenny, deserted by her second husband, given to child abuse, hurt and overworked, is rescued by the family. Gentle Ezra is stuck with mother Pearl—though he comes to see "her true interior self, still enormous, larger than life, powerful. Overwhelming." And when Cody's teenage son Luke hitchhikes, on the crest of one of Cody's pristine rages, from the Virginia home to Ezra in Baltimore, he too is inundated with family miseries. Finally, then, Pearl dies and the family will gather again at the restaurant. But this time they'll be joined by the near-mythical old Beck Tull: can he now ever be part of the family? Well, perhaps—because a life's anger seems to drain as Cody sees all his family "opening like a fan," drawing him in—and Beck, an old man who could not, long ago, take the "tangles" of family, will stay "until the dessert wine." Less magical, perhaps, than other Tylers—but her vision of saving interdependencies and time's witchiness continues to tease and enchant.
Pub Date: March 26, 1982
ISBN: 0449911594
Page Count: 324
Publisher: Knopf
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: March 1, 1982
PROFILES
A love letter to the power of books and friendship.
Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: Aug. 1, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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