A lively read undermined by an unbridled hissy fit.
Feisty former New Yorker chronicles her second career as a Texas lavender farmer.
Enamored of her life as a high-powered journalist with a penchant for designer shoes, Ralston figured that moving to Austin was enough to satisfy future husband Robb’s desire to escape Manhattan’s glitz and return to his native Texas. But then Robb, a globetrotting photographer for National Geographic, started to find Austin too urban and began lobbying for a home in the country; the 33-year-old author, eager to have a baby, agreed to another move in return for his promise that they’d start a family. The couple eventually bought land in the rural, politically conservative community of Blanco. There, inspired by a visit to the lavender fields of Provence, they started the first commercial lavender farm in Texas while raising two sons in a renovated barn. Irritatingly, nearly half the book is comprised of the author’s whining about the failings of Blanco compared to New York. Readers will grow weary of her nonstop rant about the lack of art, culture, cappuccino and couture fashion in a milieu where camouflage-clad, deer-stalking hunters reigned supreme. Ecstatic when she was finally able to secure a daily subscription to the New York Times, the author obsessed about losing lucrative freelance assignments with periodicals that counted. A fascinating saga about the history of lavender and its cultivation in the United States fights valiantly to emerge from the underbrush of Ralston’s emphasis on the negatives in her life. By the time she gets around to celebrating her achievements as a pioneering lavender farmer and entrepreneur, the reader’s patience has worn thin. Still, the book is likely to find an audience among upscale career-change seekers, aspiring small-business owners and those grappling with work, family and “quality of life” concerns.
A lively read undermined by an unbridled hissy fit.Pub Date: May 27, 2008
ISBN: 978-0-7679-2795-6
Page Count: 272
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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