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THE GLASS EYE

A MEMOIR

A deceptively spare life story that sneaks up and surprises you with its sudden fecundity and power.

A young women’s grief-stricken meditation on the loss of her beloved father illuminates a lifelong battle with crippling bipolar disorder and depression.

In her debut memoir, Vanasco (English/Towson Univ.), whose writing has appeared in the Believer, the Times Literary Supplement, and other journals, digs deep into the kind of obsessional thinking that proves to be every bit as constricting as it is impenetrable. Within its sad confines, however, there also exists rich, fertile lands filled with the possibility of lifesaving self-discovery, which she explores in unadorned, sparse prose that builds in power as it accumulates. She recalls mostly fond memories of her father: “I taped photographs from my childhood along the silver rails of the bed: my dad reading a book to me despite the white patch over his eye; my dad pulling me in a wooden sled; my dad clutching me on his lap and looking off somewhere as if he knew this was coming.” What loomed ahead for the author was a terribly long and lonely struggle beginning, at age 18, to come to terms with her father’s death—and to find meaning in the short life of a mysterious Jeanne, her half sister from her father’s previous marriage. Jeanne, who was killed in an automobile accident as a teenager, has cast a long shadow over Vanasco’s psyche, infecting her sense of self while also promising to bring her closer to her father. The author’s relentless introspection, which includes almost offhanded recollections of terrible self-harm and institutionalization, manages to cast a spotlight on the art of memoir itself, as she valiantly struggles to find the best medium possible to convey the true essence of a daughter’s love for her father.

A deceptively spare life story that sneaks up and surprises you with its sudden fecundity and power.

Pub Date: Oct. 3, 2017

ISBN: 978-1-941040-77-5

Page Count: 280

Publisher: Tin House

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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