A deceptively spare life story that sneaks up and surprises you with its sudden fecundity and power.

THE GLASS EYE

A MEMOIR

A young women’s grief-stricken meditation on the loss of her beloved father illuminates a lifelong battle with crippling bipolar disorder and depression.

In her debut memoir, Vanasco (English/Towson Univ.), whose writing has appeared in the Believer, the Times Literary Supplement, and other journals, digs deep into the kind of obsessional thinking that proves to be every bit as constricting as it is impenetrable. Within its sad confines, however, there also exists rich, fertile lands filled with the possibility of lifesaving self-discovery, which she explores in unadorned, sparse prose that builds in power as it accumulates. She recalls mostly fond memories of her father: “I taped photographs from my childhood along the silver rails of the bed: my dad reading a book to me despite the white patch over his eye; my dad pulling me in a wooden sled; my dad clutching me on his lap and looking off somewhere as if he knew this was coming.” What loomed ahead for the author was a terribly long and lonely struggle beginning, at age 18, to come to terms with her father’s death—and to find meaning in the short life of a mysterious Jeanne, her half sister from her father’s previous marriage. Jeanne, who was killed in an automobile accident as a teenager, has cast a long shadow over Vanasco’s psyche, infecting her sense of self while also promising to bring her closer to her father. The author’s relentless introspection, which includes almost offhanded recollections of terrible self-harm and institutionalization, manages to cast a spotlight on the art of memoir itself, as she valiantly struggles to find the best medium possible to convey the true essence of a daughter’s love for her father.

A deceptively spare life story that sneaks up and surprises you with its sudden fecundity and power.

Pub Date: Oct. 3, 2017

ISBN: 978-1-941040-77-5

Page Count: 280

Publisher: Tin House

Review Posted Online: Aug. 22, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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