by Jeannie Vanasco ‧ RELEASE DATE: Oct. 1, 2019
An extraordinarily brave work of self- and cultural reflection.
After 14 years, a survivor of rape chronicles her interviews with the man who assaulted her, a former friend.
Inside the swirling “zeitgeist” of the #MeToo movement, Vanasco (English/Towson Univ.; The Glass Eye, 2017) decided not only to write about the experience that still gives her nightmares, but also to include the perspective of the person who raped her. Over emails, phone calls, and in-person conversations, the author interviewed her former friend, Mark, and tried to make sense of his inexplicable betrayal as well as her own ambivalence toward him: “I doubt I’m the only woman sexually assaulted by a friend and confused about her feelings,” she writes. At every step of this harrowing process, from deciding how to approach Mark after years without contact to transcribing and interpreting their conversations, the author scrutinizes her own motivations, her compulsive caretaking of Mark’s discomfort during their discussions, and the lasting impact of the trauma that he caused her. Perspectives from Vanasco’s friends, her partner, and her therapist also figure heavily into the narrative, emphasizing how crucial it is for survivors to have wide networks of support. With deep self-consciousness, courage, and nuance, the author reveals the inner universe of her survivorship and interrogates the notion that rapists are two-dimensionally evil. A friend of Vanasco’s reflects, “how can someone who seems so harmless or acts so well or is so intelligent be capable of committing what is understandably kind of an evil act and how can it happen?” Though the author does not exactly answer these questions through her interviews with Mark, her engrossing, complex, incisive testament to the banality of violence is not a desolate narrative. Instead, Vanasco invites her readers to understand the complicated humanity involved in both causing and experiencing harm, leaving the limits and possibilities of accountability and healing as urgent, open questions.
An extraordinarily brave work of self- and cultural reflection.Pub Date: Oct. 1, 2019
ISBN: 978-1-947793-45-3
Page Count: 360
Publisher: Tin House
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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