by Jeannine Atkins ‧ RELEASE DATE: Jan. 18, 2022
An admirable tribute to a life that holds some timely lessons.
A collection of poems charts the life of Lise Meitner, a pioneering scientist who survived two world wars.
As a young Jewish girl in 1880s Austria, Meitner longed to study chemistry, but her options were limited due to her gender. After she finally managed to earn a Ph.D. and became a professor in Berlin, she was “both flattered and annoyed” to be compared to Marie Curie; “no one expects every man to be like Pierre Curie.” Deliberate, delicate verse describes well the blistering unfairness of sexist academia and the complications inherent in having mentors who don’t share one’s marginalized identities. Appearances by other European physicists, including Einstein, Niels Bohr, and Meitner’s longtime collaborator Otto Hahn, show these revered minds as generally forthright individuals struggling against the rising tide of fascism. While at first reluctant to leave the German laboratory where she worked for years, Meitner eventually escaped to Sweden in 1938, where she continued her work with Hahn from afar. In 1946 she experienced the bitterness of seeing Hahn accept the Nobel Prize for discovering nuclear fission—without mentioning her central role. More than that, though, the devastation of the atomic bomb and the Holocaust haunted her. She lost trust in her home, and “there can be no science without trust.” Appropriately, the fictionalized biography ends on a decidedly bittersweet note.
An admirable tribute to a life that holds some timely lessons. (author’s note, timeline, biographies, selected bibliography) (Verse biography. 10-14)Pub Date: Jan. 18, 2022
ISBN: 978-1-66590-250-2
Page Count: 288
Publisher: Atheneum
Review Posted Online: Oct. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
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by Jeannine Atkins ; illustrated by Victoria Assanelli
by Lois Lowry ; illustrated by Kenard Pak ‧ RELEASE DATE: April 7, 2020
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lois Lowry ; illustrated by Jonathan Stroh
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by Lois Lowry
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by Michelle Kadarusman ‧ RELEASE DATE: April 28, 2020
A beautiful conservation story told in a rich setting and peopled with memorable characters.
Unlike the rest of her nature-obsessed family, Louisa wants to be a musician, not a biologist.
But when Louisa’s mother finds out that the Australian government is about to destroy the Tasmanian rainforest camp their family has managed for decades, she insists that Louisa leave Toronto and spend the summer on the strange, small island with her even stranger uncle Ruff. But when Uncle Ruff gives Louisa a copy of her great-grandmother’s journal, Louisa becomes fascinated with her family’s history of secretly protecting endangered species, including the mysterious Tasmanian tiger, widely regarded as extinct. With the help of her new friend and neighbor Colin—a boy who has autism spectrum disorder—Louisa deepens her connection with her family’s land, with history, and with her love of music. Kadarusman masterfully creates a lush, magical world where issues associated with conservation, neurodiversity, and history intersect in surprising and authentic ways. The book’s small cast of characters (principals seem all White) is well drawn and endearing. Crucially, the author acknowledges the original, Indigenous inhabitants of the land as experts, something rarely seen in books about environmental degradation. Louisa’s narratorial voice strikes the right balance of curiosity, timidity, and growing confidence, and her character’s transformation feels both incredibly natural and incredibly rewarding to behold.
A beautiful conservation story told in a rich setting and peopled with memorable characters. (Fiction. 10-14)Pub Date: April 28, 2020
ISBN: 978-1-77278-054-3
Page Count: 192
Publisher: Pajama Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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