Plenty of twists and excitement all the way to the last line.
After a six-year hiatus since The First Order (2016), Sam Capra returns to help capture a traitor in this fast-paced thriller.
Capra knows treason and betrayal on a personal level. He is a conscientious dad raising 13-year-old Daniel in Austin, alone (but for a nanny), while managing a multinational network of bars and working for the Federal Intelligence Analysis Office. Said feds ask him to keep an eye on Amanda Bolt, the daughter of Markus Bolt, a “traitorous piece of garbage” who “gutted a dozen operations at the CIA” and defected to Russia 13 years ago. Now the Russians can't find him either. Maybe he's back in the U.S. trying to reunite with abandoned Amanda. The Russians believe he's stolen a map detailing President Morozov’s secret overseas financial accounts, so of course they want him dead. Bolt is trying to do a “traitor’s dance” to find a safe haven and leave no trace behind. (Of course if he knew all the steps, there would be no story.) Meanwhile and much to Capra's shame, Lucy, his dead ex-wife and former CIA colleague, also betrayed the United States. Innocent Daniel knows nothing of mom’s culpability or dad’s secret work for the government, and Sam hopes to keep it that way. Good luck with that, because the lad is soon drawn into the mess without knowing how or why. “Daniel was worth all the pain in the world,” Capra correctly muses—his son has character and guts, and he proves to be no pushover. There's plenty of gunplay, although nothing gory. Capra must beware the dreaded German hit woman Marianne, who even has trainee hit persons under her wing. There are a couple of curious questions of paternity that don't quite ring true, but no matter—it's still fast-paced entertainment.
Plenty of twists and excitement all the way to the last line.Pub Date: Aug. 23, 2022
ISBN: 978-1-5387-0874-3
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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