by Jeff Guinn ‧ RELEASE DATE: May 17, 2011
An absorbing, meticulous account of the famous O.K. Corral gunfight as it really happened.
In books, movies and TV series, Wyatt Earp has been portrayed as an American frontier hero who, along with his brothers and his friend Doc Holliday, faced down evil cowboys in the 1881 Tombstone, Ariz., gunfight immortalized in John Ford’s classic My Darling Clementine (1946), starring Henry Fonda. In fact, writes 2010 Edgar Award finalist Guinn (Go Down Together: The True, Untold Story of Bonnie and Clyde, 2009, etc.), the traditional rendering of the celebrated shootout has skewed our understanding of frontier history. The gunfight did not occur in the O.K. Corral, but rather in a nearby vacant lot. Nobody knows exactly what happened during the shootout—we can only piece together “most likely scenarios” writes the author—but it certainly was not a classic confrontation between good and evil, as described by many writers. Drawing on papers and interviews, Guinn places his complex and nuanced story firmly within the context of the evolving Western frontier, where gold and silver began attracting prospectors, miners, and con artists in the 1850s. When the Earp brothers arrived in 1879, the nascent mining town of Tombstone had about 900 residents. Virgil Earp became police chief. Wyatt, a sometime lawman, played card games in local bars. Their brawling dentist friend Doc Holliday also gambled. Describing the many social, political and other forces that set the stage for the gunfight (including new edicts regarding arrests and carrying guns), Guinn details the historic events of the cold afternoon of Oct. 26, 1881: drunken outlaw Ike Clanton’s wild threats against Wyatt Earp and Holliday; Virgil’s attempt (together with his brothers and Doc) to disarm Ike and his cowboy buddies; and the 30-second exchange of gunfire that left three cowboys dead. Just the facts—and still a great story.
Pub Date: May 17, 2011
ISBN: 978-1-4391-5424-3
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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