An urgent report on the state of American aspirations and a haunting dispatch from forsaken streets.

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THE SHORT AND TRAGIC LIFE OF ROBERT PEACE

A BRILLIANT YOUNG MAN WHO LEFT NEWARK FOR THE IVY LEAGUE BUT DID NOT SURVIVE

Ambitious, moving tale of an inner-city Newark kid who made it to Yale yet succumbed to old demons and economic realities.

Novelist Hobbs (The Tourists, 2007) combines memoir, sociological analysis and urban narrative elements, producing a perceptive page-turner regarding the life of his eponymous protagonist, also his college roommate. Peace’s mother was fiercely independent, working nonstop in hospital kitchens to help aging parents keep their house. His father, a charming hustler, was attentive to Robert until his conviction on questionable evidence in a double murder. Mrs. Peace pushed her bright son toward parochial school, the best course for survival in Newark, already notorious for economic struggles and crime. Compulsively studious, Robert thrived there—a banker alumnus offered to pay his college tuition—and also at Yale. Hobbs contrasts his personal relationship with Robert with a cutting critique of university life, for the privileged and less so, capturing the absurd remove that “model minority” and working-class students experience. At Yale, Peace both performed high-end lab work in his medical major and discreetly dealt marijuana, enhancing his campus popularity, even as he held himself apart: “Rob was incredibly skilled in not showing how he felt [and] at concealing who he was and who he wanted to be.” After graduation, Peace drifted, as did many of his peers: Hobbs notes that even for their privileged classmates, professional success seemingly necessitated brutal hours and deep debt. But Peace drifted back into the Newark drug trade; in 2011, he was murdered by some of the city’s increasingly merciless gangsters due to his involvement in high-grade cannabis production. Hobbs manages the ambiguities of what could be a grim tale by meticulously constructing environmental verisimilitude and unpacking the rituals of hardscrabble parochial schools, Yale secret societies, urban political machinations and Newark drug gangs.

An urgent report on the state of American aspirations and a haunting dispatch from forsaken streets.

Pub Date: Sept. 23, 2014

ISBN: 978-1-4767-3190-2

Page Count: 416

Publisher: Scribner

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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