by Jeff Jinnett illustrated by Sandra Bowden ‧ RELEASE DATE: Dec. 13, 2015
A brief, impressionistic, and richly erudite look at the commonalities of Judaic and Christian scholarship and tradition,...
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A Scripture-based effort seeks to fuse the textual analysis techniques of Judaism with Christianity.
The key organizing concept of this short book from Jinnett (The Seven Days of Creation, 2015) is the great Second Temple in Jerusalem, which was destroyed by the Romans in C.E. 70. That act ended the long period of Temple-based Judaism characterized by such features as chief priests and ritual animal sacrifices. The obliteration of the Temple signaled a shift in Jewish religious culture that coincided with the rise of apostolic Christianity, underscoring the “olive branch” metaphor favored by Jinnett (and St. Paul). The author envisions Christianity as a wild olive branch grafted onto the older olive tree of Judaism. This underlying unity of two faiths that merge to tell “a combined story of God’s will for the world which is understandable and believable” runs throughout the volume. Exploring various connections, Jinnett explains that the study of Torah commentary can “provide insight into the deeper symbolic or allegorical explanation” of a biblical text “and the sometimes hidden, mystical interpretation of a passage.” The author states his hope at the outset that his readers “will be inspired to read the Holy Scriptures so that new souls will be awakened to God’s Glory.” Jinnett furthers this view by deftly reading key elements of the New Testament through the interpretive lens of Second Temple Rabbinic Judaism. “I firmly believe,” he writes, “that Christians can gain a better understanding of the Bible as Jesus knew it by understanding how devout Jews may have interpreted the Bible in the first century C.E.” For example, the Gospel accounts of the Last Supper can be better comprehended “in the mold of the Priests of the Temple,” who each week ate 12 loaves (Challah) of Shewbread consecrated in the Sanctuary of the Temple. Or take the story of the old man Simeon, who watched in the Temple for the coming of the Messiah—a tale wonderfully fleshed out here with copious references to modern Talmudic studies. Jinnett’s work, illustrated throughout by Bowden, is typified by this kind of invigorating and challenging interfaith exploration. Christian and Jewish readers alike should find plenty of interest and provocation in these pages, as well as a good deal of instruction. The author has done a prodigious amount of research while preparing for this volume. (Some of that investigation could be stricter in future editions—New Testament scholar John Dominic Crossan’s name, for instance, is often misspelled “Crosson.”) Jinnett writes that he accepts that the Gospels “evolved from earlier oral traditions and source material”—a remarkable concession from an author who elsewhere tells his readers about the magnificence of God’s word—and this balanced intellectual approach extends to the extensive endnotes, in which a terrific, detailed textual discussion continues.
A brief, impressionistic, and richly erudite look at the commonalities of Judaic and Christian scholarship and tradition, illustrating the ways the two branches connect.Pub Date: Dec. 13, 2015
ISBN: 978-1-5307-4490-9
Page Count: 114
Publisher: CreateSpace
Review Posted Online: July 11, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Jeff Jinnett illustrated by Sandra Bowden
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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