The verse sparkles and the visuals shine in this volume that examines Genesis.
A book offers a multimedia celebration of Jewish Scripture.
In the Jewish tradition, words have power—real power. According to the first verses of the Hebrew Bible (or Torah), God created the cosmos with speech. For Jews, then, the story of the world’s making shows that the phonemes that spill from their mouths possess an unimaginable potency. Jinnett (The Olive Tree in the Shadow of the Second Temple, 2015, etc.) reminds readers of this fact in the opening piece of his new collection inspired by the Torah: “In the watery depths / twenty-two fiery letters / swirled; / the aleph-beit of Hebrew, / building blocks of the world.” If God made the universe out of words, then the world is divine poetry. What more appropriate reply than to write poetry in return? The author focuses on the first few chapters of Genesis, in which God builds the world in seven days. Thus, a poem from the section entitled “Fifth Day: Fish and Fowl” gives readers a glimpse of the wonders of the deep: “And—oh—what a sight / was our undersea feast, / with conch shells of food, / near thousands at least.” Yet the book is no slavish retelling; the themes of Creation send Jinnett on flights of fancy that set him down in other parts of the biblical narrative. Hence, the aforementioned “undersea feast” reminds him of the Great Flood of Genesis and the birds Noah releases from the ark. Thus readers have “Raven’s Song,” which opens lyrically: “I remember how it was before the rains, / when waves kissed sand as waters lapped the shore, / gentle sounds like lovers make when they embrace.” Like the scriptural model on which it is built, this volume is fresh, dynamic, and readable. Its only real flaw remains its cumbersome configuration. The first half of the book features Jinnett’s poetry. But the second half awkwardly reproduces those works in their entirety—this time with extensive footnotes that flesh out references to Scripture and commentary. The information is valuable, but the exposition is bulky and didactic. Further, buried among these piles of explanatory text are gorgeous original artworks by Bowden, all of which deserve better placement. A more streamlined structure would make this good book great.
The verse sparkles and the visuals shine in this volume that examines Genesis.Pub Date: Dec. 13, 2015
ISBN: 978-1-5301-2671-2
Page Count: 106
Publisher: CreateSpace
Review Posted Online: Sept. 14, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Review Program: Kirkus Indie
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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