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THE LAST FOLK HERO

THE LIFE AND MYTH OF BO JACKSON

A good choice for devotees, showing how their hero sometimes has feet of clay—but remains a hero all the same.

An appreciative life of sports star Vincent “Bo” Jackson (b. 1962), a star in both football and baseball.

In his latest sports bio, prolific sportswriter Pearlman demonstrates Jackson’s near-mythical achievements on the gridiron and diamond, whether “throwing a football straight into the air and hitting the New Orleans Superdome scoreboard—140 feet above his head,” or “the 1989 throw from the leftfield corner to gun down Seattle’s Harold Reynolds at home” as an adult or chucking a rock a couple of hundred yards as a 7-year-old. Much of the book centers on Jackson’s accomplishments as a player for Auburn, often the Alabama Crimson Tide’s poor relation on the Southern football circuit, at least until Jackson helped engineer crushing victory over their archrivals (legendary Alabama coach Bear Bryant retired immediately afterward). Of particular interest to aspiring athletes are the pages devoted to Jackson’s carefully orchestrated negotiations with the MLB and NFL, who wanted him so badly that he was able to play both baseball and football concurrently—albeit not without some hardball thrown by the owner of the Tampa Bay Buccaneers, who treated Jackson precisely like “a poor kid from East Bumfuck, Alabama.” Taking down other sports heroes in the bargain, notably Reggie Jackson (no relation) and Deion Sanders, Pearlman throws in about every sports cliché in existence, from staccato sentence fragments to overwrought mixed metaphors (“Jackson was no longer a secret weapon. If anything, he was a flashing bolt of lightning”). Yet there are revelations, as well, including an explanation of how he came to be known as Bo. Ultimately, Pearlman is no mere hero worshipper, writing of his subject, “he is far from warm and bubbly, and oftentimes quite suspicious of the motives of anyone not named Bo Jackson.”

A good choice for devotees, showing how their hero sometimes has feet of clay—but remains a hero all the same.

Pub Date: Oct. 25, 2022

ISBN: 978-0-358-43767-3

Page Count: 480

Publisher: Mariner Books

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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