A well-documented and often suspenseful dramatization of American military engagement.
A historical military thriller that follows the eventful career of an American fighter pilot during dangerous geopolitical times.
Pete O’Neil has always wanted to fly fighter planes. His father tries to recruit him to work in the family’s lumber business, but instead Pete goes to college on a swimming scholarship. From there, he enlists in the Air Force, as do his two closest friends, Sam and George. They all become pilots, and Pete, while serving as a flight instructor, is offered a special assignment to fly U-2 spy planes in 1957; he turns it down and instead flies top-secret reconnaissance missions over Cuba. (Later, he even speaks on the phone with President John F. Kennedy himself.) Eventually, he’s tasked with flying an F-4 in Vietnam, where he finally gets a taste of combat; he’s shot down during a mission with Col. Al Hawthorne, but the two manage to evade capture. Pete’s friend George, though, goes missing for months after his own plane is shot down. Pete’s wife, Trixie, a military contractor and photographer (whom he married in 1965), shows him aerial photographs that indicate that George may be alive somewhere in northwestern Vietnam. Pete is committed to finding Sam, although he struggles to find someone to officially authorize the search. Meanwhile, he’s tasked by President Lyndon Johnson to fly a very special mission over Hanoi. Bauer (Wakulla Bones, 2013, etc.) packs this historical novel with plenty of vividly described action, and his extraordinary knowledge of military aviation is constantly on display. Pete’s adventures follow the tumultuous arc of the second half of the 20th century, and after his adventures in Southeast Asia, he’s sent to work with the Royal Air Force in England, and he also gets to speak personally with Henry Kissinger and Richard Nixon. It’s implausible that a fighter pilot would have direct contact with any president, let alone a string of them; as a result, these scenes seem campy, rather than dramatic. Also, as excitingly rendered as the combat scenes are, the storyline between them is slow and sometimes wandering. Bauer’s unpredictable plot twists will keep readers engaged, though, as he paints an inspiring portrait of martial valor.
A well-documented and often suspenseful dramatization of American military engagement.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Feb. 13, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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