A well-documented and often suspenseful dramatization of American military engagement.

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THE NUKES OF OCTOBER

SECRET SORTIES OF AN AIR FORCE PHANTOM PILOT

A historical military thriller that follows the eventful career of an American fighter pilot during dangerous geopolitical times.

Pete O’Neil has always wanted to fly fighter planes. His father tries to recruit him to work in the family’s lumber business, but instead Pete goes to college on a swimming scholarship. From there, he enlists in the Air Force, as do his two closest friends, Sam and George. They all become pilots, and Pete, while serving as a flight instructor, is offered a special assignment to fly U-2 spy planes in 1957; he turns it down and instead flies top-secret reconnaissance missions over Cuba. (Later, he even speaks on the phone with President John F. Kennedy himself.) Eventually, he’s tasked with flying an F-4 in Vietnam, where he finally gets a taste of combat; he’s shot down during a mission with Col. Al Hawthorne, but the two manage to evade capture. Pete’s friend George, though, goes missing for months after his own plane is shot down. Pete’s wife, Trixie, a military contractor and photographer (whom he married in 1965), shows him aerial photographs that indicate that George may be alive somewhere in northwestern Vietnam. Pete is committed to finding Sam, although he struggles to find someone to officially authorize the search. Meanwhile, he’s tasked by President Lyndon Johnson to fly a very special mission over Hanoi. Bauer (Wakulla Bones, 2013, etc.) packs this historical novel with plenty of vividly described action, and his extraordinary knowledge of military aviation is constantly on display. Pete’s adventures follow the tumultuous arc of the second half of the 20th century, and after his adventures in Southeast Asia, he’s sent to work with the Royal Air Force in England, and he also gets to speak personally with Henry Kissinger and Richard Nixon. It’s implausible that a fighter pilot would have direct contact with any president, let alone a string of them; as a result, these scenes seem campy, rather than dramatic. Also, as excitingly rendered as the combat scenes are, the storyline between them is slow and sometimes wandering. Bauer’s unpredictable plot twists will keep readers engaged, though, as he paints an inspiring portrait of martial valor.

A well-documented and often suspenseful dramatization of American military engagement.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Feb. 13, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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