An entertaining mystery romp.
Hard-boiled ex-cop Candace “CW” McCoy tries to keep her cool as she solves a case of embezzlement, kidnapping, and murder in the Florida heat.
Widmer (The Spirit of Swiftwater, 1998) makes his first foray into fiction with this introduction of CW McCoy. A former cop, CW—don’t call her Candy—left the force after a disastrous shooting gone awry and the end of her marriage. She moved to the beach town of Spanish Point, Florida, and has started a second career as a realtor. However, her attempts at a quieter life are shaken up by the appearance of Bobby Lee Darby, a fugitive hedge fund manager who has faked his own death after bilking his investors out of millions. Darby claims his innocence and asks CW to help him prove it, but when she balks, he kidnaps her ailing grandfather and forces her hand. Now, she must face her worst fears and dive back into the investigative business, relying on old friends to help her find her grandfather and solve the case as it grows more and more complicated—and deadly. Widmer has a great sense of place; he easily brings the town of Spanish Point and its colorful cast of characters to life. CW is a great character—a noir detective trying to outrun her own past, suffering no fools along the way. She also has a few potential love interests that pop up, men who truly seem to admire her impulsive toughness. Some of the dialogue is a little contrived, though, as CW says too many lines like “My Nana used to tell me I had a mouth” that seem straight out of a Bogart movie. Also, at the novel’s end, a few too many loose ends of CW’s personal story remain untied, though that leaves room for more volumes in the series. Hopefully there’s a bit more resolution in store.
An entertaining mystery romp.Pub Date: July 14, 2015
ISBN: 978-0-9964987-0-8
Page Count: 238
Publisher: Allusion Books
Review Posted Online: Sept. 9, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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