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Peak Season

A CW MCCOY NOVEL

From the A CW McCoy Novel series , Vol. 1

An entertaining mystery romp.

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Hard-boiled ex-cop Candace “CW” McCoy tries to keep her cool as she solves a case of embezzlement, kidnapping, and murder in the Florida heat.

Widmer (The Spirit of Swiftwater, 1998) makes his first foray into fiction with this introduction of CW McCoy. A former cop, CW—don’t call her Candy—left the force after a disastrous shooting gone awry and the end of her marriage. She moved to the beach town of Spanish Point, Florida, and has started a second career as a realtor. However, her attempts at a quieter life are shaken up by the appearance of Bobby Lee Darby, a fugitive hedge fund manager who has faked his own death after bilking his investors out of millions. Darby claims his innocence and asks CW to help him prove it, but when she balks, he kidnaps her ailing grandfather and forces her hand. Now, she must face her worst fears and dive back into the investigative business, relying on old friends to help her find her grandfather and solve the case as it grows more and more complicated—and deadly. Widmer has a great sense of place; he easily brings the town of Spanish Point and its colorful cast of characters to life. CW is a great character—a noir detective trying to outrun her own past, suffering no fools along the way. She also has a few potential love interests that pop up, men who truly seem to admire her impulsive toughness. Some of the dialogue is a little contrived, though, as CW says too many lines like “My Nana used to tell me I had a mouth” that seem straight out of a Bogart movie. Also, at the novel’s end, a few too many loose ends of CW’s personal story remain untied, though that leaves room for more volumes in the series. Hopefully there’s a bit more resolution in store.

An entertaining mystery romp.

Pub Date: July 14, 2015

ISBN: 978-0-9964987-0-8

Page Count: 238

Publisher: Allusion Books

Review Posted Online: Sept. 9, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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