“This was the real world,” CIA assassin Connor Fitzgerald reminds himself as he escapes from his latest messy job without a single “Rambo-type helicopter” for help. Fortunately, he couldn’t be more wrong: He’s got both feet firmly planted in Archerland Deluxe. After getting out of Colombia just in time for what would be the opening credits if this were a James Bond movie, beloved hit-man Connor, a decorated Vietnam vet and devoted family man who’s only a wink and a smile from reassignment to a cushy desk job, gets the bad news: His hard-nosed boss, CIA director Helen Dexter, gives him a choice between heading the agency office in Cleveland (Cleveland!) and taking early retirement. Seems that Connor knows secrets that would help the exasperated President bury Dexter deep, and Dexter, rabidly opposed to a CIA-gutting arms reduction bill the Chief Executive’s negotiating (and, at any rate, not one to go gently into that good night), has arranged a spectacular bit of treachery to make sure Connor never gets a chance to spill the beans. He’s sent packing off to Moscow for one last job—to eliminate Victor Zerimski, the warmongering Communist candidate for the Russian presidency. It’s just like Connor’s other jobs, except for two differences: It hasn’t been authorized by the White House (despite a tricky bit of techno-wizardry that fools Connor into thinking it has), and it’s not supposed to be successful. Instead, Dexter’s minions will tip the Russians off just in time to send Connor on a one-way ticket to St. Petersburg’s fearsome Crucifix prison. Once Connor’s locked away, the verdict and sentence are a foregone conclusion, and no one’s escaped from Crucifix since best-selling Archer (Twelve Red Herrings, 1994, etc.) was a gleam in his ancestors’ eyes. There’s much, much more—roping in the Russian Mafiya, the Washington Redskins, a dozen double-crosses, and two returns from the grave—all of it the most rousing moonshine. ($250,000 ad/promo; author tour; radio/TV satellite tour)
Pub Date: June 15, 1998
ISBN: 0-06-019150-3
Page Count: 432
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.
Another Brown (Inferno, 2013, etc.) blockbuster, blending arcana, religion, and skulduggery—sound familiar?—with the latest headlines.
You just have to know that when the first character you meet in a Brown novel is a debonair tech mogul and the second a bony-fingered old bishop, you’ll end up with a clash of ideologies and worldviews. So it is. Edmond Kirsch, once a student of longtime Brown hero Robert Langdon, the Harvard symbologist–turned–action hero, has assembled a massive crowd, virtual and real, in Bilbao to announce he’s discovered something that’s destined to kill off religion and replace it with science. It would be ungallant to reveal just what the discovery is, but suffice it to say that the religious leaders of the world are in a tizzy about it, whereupon one shadowy Knights of Malta type takes it upon himself to put a bloody end to Kirsch’s nascent heresy. Ah, but what if Kirsch had concocted an AI agent so powerful that his own death was just an inconvenience? What if it was time for not just schism, but singularity? Digging into the mystery, Langdon finds a couple of new pals, one of them that computer avatar, and a whole pack of new enemies, who, not content just to keep Kirsch’s discovery under wraps, also frown on the thought that a great many people in the modern world, including some extremely prominent Spaniards, find fascism and Falangism passé and think the reigning liberal pope is a pretty good guy. Yes, Franco is still dead, as are Christopher Hitchens, Julian Jaynes, Jacques Derrida, William Blake, and other cultural figures Brown enlists along the way—and that’s just the beginning of the body count. The old ham-fisted Brown is here in full glory (“In that instant, Langdon realized that perhaps there was a macabre silver lining to Edmond’s horrific murder”; “The vivacious, strong-minded beauty had turned Julián’s world upside down”)—but, for all his defects as a stylist, it can’t be denied that he knows how to spin a yarn, and most satisfyingly.
The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.Pub Date: Oct. 3, 2017
ISBN: 978-0-385-51423-1
Page Count: 461
Publisher: Doubleday
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK TO SCREEN
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