An excellent history that should catapult Miller to the top tier of popular historians.
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The first book of a planned trilogy chronicling American-led relief efforts in Belgium during World War I.
Just in time for the Great War’s centennial, this valuable narrative reprises a dramatic chapter of world history that rarely takes center stage in history books, as it’s often overshadowed by subsequent wars. Specifically, Miller (Facing Your Fifties, 2002, etc.) focuses on the Commission for Relief in Belgium, a multinational humanitarian organization that saved 9 million Belgian and French civilians under German occupation from starvation. Led by future U.S. president Herbert Hoover, then 40 years old and living in London, the CRB was the first mission of its kind, establishing precedents that shaped current policies regarding universal human rights and international humanitarian intervention. Miller shows how Hoover navigated German and Allied opposition, co-opted competing humanitarian groups and improvised a distribution network that deployed young Americans as neutral “delegates” across Belgium’s provinces. Miller’s grandfather Milton M. Brown was one of these delegates, and he married Erica Bunge, a wealthy Belgian native whose family is integral to the overall story. Their diaries, letters and photos, bequeathed to the author in the 1980s, sparked Miller’s interest in the period, and it’s obvious that this book was a labor of love. The narrative covers only August through December 1914, and readers contemplating 397 pages of text (plus sources, notes and an index) about a mere six months of wartime may fear a tedious journey. But instead, the pages fly by, thanks to Miller’s consistently smooth prose and careful scene-setting. He effectively captures the human drama, with exquisite descriptions of how characters looked (“With his rimless pince-nez, he had the appearance of a scholar or professor and, just like one, he longed for the solitude of the writer’s garret”) and why they behaved as they did. He quickens the pace with short chapters that bounce among Brussels, Antwerp, Rotterdam, London and New York. Readers who only associate World War I and Herbert Hoover with trench warfare and the Great Depression (or the Hoover Dam) will discover meaningful contexts for both in a tale that personalizes extraordinary times. Miller writes that his goal was to write for people “who never read history books”; he accomplishes that splendidly, while also creating a work that scholars will admire.
An excellent history that should catapult Miller to the top tier of popular historians.Pub Date: Sept. 7, 2014
ISBN: 978-0990689300
Page Count: 480
Publisher: Milbrown Press
Review Posted Online: Sept. 18, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
Categories: GENERAL NONFICTION
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BOOK REVIEW
BOOK REVIEW
Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)
Pub Date: Jan. 1, 2001
ISBN: 0-448-42421-5
Page Count: 48
Publisher: Grosset & Dunlap
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Categories: GENERAL NONFICTION
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