A magnum opus that celebrates the qualities of compassion, honor, and humanitarian virtue.
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Miller (Behind the Lines, 2014, etc.) offers the second volume of a tour-de-force history detailing a little-known World War I humanitarian rescue mission, led by a future American president.
During the early years of the First World War, an amazing organization, the Commission for Relief in Belgium, gathered together a group of idealistic young Americans to keep the people in German-occupied Belgium from starving. Popular historian Miller continues detailing the history of this organization, which was formed and run by none other than Herbert Hoover, who left his own successful business and mining-engineering interests to lead it. He and his intrepid CRB delegates constantly struggled with German military and governmental authorities and with the Belgian relief agency Comité National, but they managed to manipulate, cajole, bluff, and fight their way to providing the most extensive food relief program in modern history. They did so by preserving their absolute political neutrality and winning the respect and support of even the German aggressors. To succeed, Hoover and his band knew they had to be on the right side of worldwide public opinion: “Hoover’s understanding of this concept, and of the way the world’s news media worked, would serve him and his cause extremely well from the very beginning.” Miller delivers compelling portraits of young idealists who interrupted their lives to serve the CRB for no pay. He engagingly parallels this tale with the story of La Libre Belgique, a scrappy underground newspaper that continually poked the Germans in the eye; he shows how even though the Germans jailed and executed Belgian patriots associated with the paper, nothing could stop it from getting published. Miller is an accomplished writer who never gets in the way of his intriguing story, eliminating tiresome footnotes and in-text citations that might have detracted from the gripping historical narrative.
A magnum opus that celebrates the qualities of compassion, honor, and humanitarian virtue.Pub Date: Nov. 11, 2018
ISBN: 978-0-9906893-8-6
Page Count: 726
Publisher: Milbrown Press
Review Posted Online: Sept. 7, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
Categories: GENERAL NONFICTION
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BOOK REVIEW
BOOK REVIEW
Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)
Pub Date: Jan. 1, 2001
ISBN: 0-448-42421-5
Page Count: 48
Publisher: Grosset & Dunlap
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Categories: GENERAL NONFICTION
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