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EDMUND WILSON

A BIOGRAPHY

The prolific biographer of Conrad, Poe, and Hemingway (among others) doesn't have to compete with earlier books in this case, since his straightforward account beats to the marketplace even the authorized life—due at some indefinite future date from Wilson editor Lewis Dabney—of America's greatest man of letters. Meyers's real competition is Wilson (18951972) himself, whose sexually frank and socially candid journals, as well as his many memoirs and volumes of published letters, offer a formidably complete chronicle. To his credit, Meyers has studied these documents with a discerning eye and arranged the best parts into a coherent narrative. Particularly attentive to Wilson's vivid sex life, he notes the short and stocky belle-lettrist's belated sexual initiation (at age 25) and a list of lovers that reads like a Who's Who of modern literature, including Edna St. Vincent Millay, Elinor Wylie, Louise Bogan, Leonie Adams, and Mary McCarthy, who became his third wife. Meyers sheds new light on this tumultuous marriage, which got vitriolic treatment from McCarthy in several novels as well as in Intellectual Memoirs, though her lawyers insisted on suppressing Wilson's comments on it in the published edition of his diaries. Far from an ideal husband or father (he married four times and sired three children), Wilson was hardly the violent cad depicted by the ambitious and deluded McCarthy, Meyers concludes. The author covers Wilson's troubled financial history (including his fracas with the IRS) and surprising sales figures—his book on the Dead Sea Scrolls was his only best-seller, far exceeding the figures for such better-known volumes as Axel's Castle and Patriotic Gore. A bland critic, Meyers wisely skimps on literary analysis in favor of character judgments, which he makes with considerable shrewdness. A neat and fluent narrative that will satisfy Wilson fans as well as those who want an introduction to America's Samuel Johnson.

Pub Date: May 8, 1995

ISBN: 0-395-68993-7

Page Count: 576

Publisher: Houghton Mifflin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 1995

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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