Complex, assured stories that describe the complications of love and need with perfect pitch.
These well-observed short stories describe sometimes-uneasy, sometimes-hopeful reconciliations with fortune.
Most of the 24 short stories in this collection previously appeared in literary journals; some have been altered slightly for this publication. In the title story—which captures a mood underlying many in the collection—an unnamed couple’s road to marriage begins with adopting a pug and proceeds from there like some blandly idyllic TV montage: they walk the dog, name him Prince, and enjoy his excited jumping up and down; they get corporate jobs, plan a small wedding, and have the ceremony in a park gazebo. When disaster upends them, Prince has a new home, “but he would never jump up and down. Instead, he would…spend his every night at the door, waiting, unable to believe in fate.” Named or unnamed, male or female, young or old, the characters in these stories struggle more or less successfully to believe in their fates. Sometimes, as in “The Driver,” rhythms of marriage and friendship ease the process. Maggie accompanies her second husband, Frank—20 years her senior—to the Department of Motor Vehicles, where he fails a vision test. Afterward, they bicker on a safe topic—“I’ll be damned if I’m going to Bob Evans”—until “the discomfort of Frank’s new reality dissolved.” The car’s engine, like their marriage, settles, after an initial kick, “into a comfortable hum.” The stories are arranged well to bring similar themes together: parents, children, and siblings; addicts, criminals, and twelve-steppers; workplaces; disasters, natural and otherwise. In many passages, Knox (Don’t Tease the Elephants, 2014, etc.) displays a keen pithiness: the pug’s “bunched face,” an old man’s insight about the ruthlessness shared by CEOs and addicts: “You got the really out and out and the really up and up, and they’re both the same kind of fucked up. That’s why they hate each other so much.”
Complex, assured stories that describe the complications of love and need with perfect pitch.Pub Date: May 31, 2015
ISBN: 978-1495106125
Page Count: 185
Publisher: Rain Mountain Press
Review Posted Online: June 8, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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