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I AM TROY DAVIS

Poignant and humane.

A compelling account of the life of Troy Davis (1968–2011), the Georgia-born black man condemned to death for the killing of a white policeman.

When Officer Mark MacPhail was brutally gunned down in August 1989, the city of Savannah “was out for blood.” The man apprehended for that shooting, Davis, proclaimed his innocence until the day of his death in September 2011. Documentarian Marlowe (co-author: The Hour of Sunlight: One Palestinian's Journey from Prisoner to Peacemaker, 2011) tells the moving story of Davis and his activist sister, Martina Davis-Correia. Born just 17 months apart, they were as close as “two peas in a pod.” After neighborhood associates—some of whom spoke under duress from the Savannah police—pinned the crime on Davis, Davis-Correia vowed to fight on behalf of her brother. Through multiple appeals and stays of execution that took place over 22 grueling years, never once did her faith in her brother’s innocence waver. It only grew stronger, especially after the associates who blamed her brother for MacPhail’s death eventually retracted their statements regarding Davis’ involvement in the murder and admitted that they had lied under oath. Correia did not fare as well, developing breast cancer. Nevertheless, the two siblings remained committed to each other. Davis became a beloved surrogate father to his sister’s son and inspired him to work “against inequality and injustice,” while Correia worked tirelessly for her brother’s freedom. The state of Georgia finally executed Davis by lethal injection. Two months later, Correia passed away. Marlowe became involved with the case in 2008 and recounts events with compassion for both the Davises and the MacPhails, who declined to participate in the writing of her book. The result is a powerful narrative that challenges the notion that “the taking of one life can be answered by the taking of another.”

Poignant and humane.

Pub Date: Oct. 15, 2013

ISBN: 978-1-60846-294-0

Page Count: 280

Publisher: Haymarket Books

Review Posted Online: Sept. 8, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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