A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness.

READ REVIEW

THE PRINCE AND THE DRESSMAKER

Once upon a time, there was a prince who felt fabulous only in exquisite gowns.

Prince Sebastian’s parents, like fleets of fairy-tale progenitors before, are myopically focused on getting their kid hitched. Rendezvous with potential brides rattle Sebastian, and not just because he’s only 16 and averse to icky matrimony. It’s because he dresses in couture gowns and is petrified of facing what a reveal would mean to his parents and potential wife. Weary of donning his mother’s duds, he hires Frances, a seamstress with an avant-garde flair. Their friendship quickly evolves as she harnesses her talent and he becomes empowered to make public appearances as his alter ego, Lady Crystallia. When Lady Crystallia becomes a fashion plate du jour—and secrecy verges on revelation—Sebastian and Frances are at a crossroads: can they remain true to themselves, each other, and the world? Wang’s linework has as much movement and play as Crystallia’s frocks, and her palette seamlessly wanders from petit-four brights to the moody darks of an ombre swatch. This is preindustrial Paris, so the cast is white, with the only otherness being class differentiation. Sebastian’s story shouldn’t be taken as a testament to how easy it is for one to reveal one’s true self to one’s parents, particularly if one is LGBTQIAP: Sebastian meets acceptance far too easily, particularly for such a public figure in such a conservative age. Sebastian’s summation of Frances’ aesthetic underscores the ultimate blueprint: fantasy and drama.

A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness. (Historical graphic fiction. 12-18)

Pub Date: Feb. 13, 2018

ISBN: 978-1-62672-363-4

Page Count: 290

Publisher: First Second

Review Posted Online: Nov. 13, 2017

Kirkus Reviews Issue: Dec. 1, 2017

Did you like this book?

No Comments Yet

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

MACBETH

From the Wordplay Shakespeare series

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 7, 2013

Kirkus Reviews Issue: Dec. 1, 2013

Did you like this book?

No Comments Yet

A solid introduction for budding lovers of the Bard.

HAMLET

From the Campfire Graphic Novels series

Something is rotten in the state of Denmark.

The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.

A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)

Pub Date: Aug. 27, 2019

ISBN: 978-93-81182-51-2

Page Count: 90

Publisher: Campfire

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

No Comments Yet
more