A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness.
Once upon a time, there was a prince who felt fabulous only in exquisite gowns.
Prince Sebastian’s parents, like fleets of fairy-tale progenitors before, are myopically focused on getting their kid hitched. Rendezvous with potential brides rattle Sebastian, and not just because he’s only 16 and averse to icky matrimony. It’s because he dresses in couture gowns and is petrified of facing what a reveal would mean to his parents and potential wife. Weary of donning his mother’s duds, he hires Frances, a seamstress with an avant-garde flair. Their friendship quickly evolves as she harnesses her talent and he becomes empowered to make public appearances as his alter ego, Lady Crystallia. When Lady Crystallia becomes a fashion plate du jour—and secrecy verges on revelation—Sebastian and Frances are at a crossroads: can they remain true to themselves, each other, and the world? Wang’s linework has as much movement and play as Crystallia’s frocks, and her palette seamlessly wanders from petit-four brights to the moody darks of an ombre swatch. This is preindustrial Paris, so the cast is white, with the only otherness being class differentiation. Sebastian’s story shouldn’t be taken as a testament to how easy it is for one to reveal one’s true self to one’s parents, particularly if one is LGBTQIAP: Sebastian meets acceptance far too easily, particularly for such a public figure in such a conservative age. Sebastian’s summation of Frances’ aesthetic underscores the ultimate blueprint: fantasy and drama.
A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness. (Historical graphic fiction. 12-18)Pub Date: Feb. 13, 2018
ISBN: 978-1-62672-363-4
Page Count: 290
Publisher: First Second
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
An affirming love story full of intriguing characters and a suspenseful plot.
In this graphic novel/space adventure, a young woman discovers her place in a vast universe.
After graduating from an all-girls boarding school, Mia, a light-skinned, black-haired girl, joins a reconstruction crew traveling through space to restore crumbling buildings with ancient and forgotten histories. She carries with her memories of Grace, the girl she fell in love with and lost during her freshman year of school. As Mia develops close bonds with her teammates, she learns they each have mysterious and complicated pasts of their own. Despite their differences, the strength of their love holds them together on a dangerous journey to the farthest reaches of space. A deep color palette of blues and purples with bursts of warm shades captures the setting. Walden’s (Spinning, 2017, etc.) diverse cast of queer characters includes Char, a black woman who co-captains the reconstruction crew with her white wife, Alma; Mia’s past love Grace (a black woman); and Elliot, a white nonbinary person who communicates nonverbally. While Mia’s journey is central, every character experiences a moment of growth over the course of the narrative. The timeline alternates between Mia’s memories depicting the progression of her relationship with Grace and the present. At times both gently romantic and heartbreaking, the story ultimately celebrates love and the importance of chosen family.
An affirming love story full of intriguing characters and a suspenseful plot. (Science-fiction graphic novel. 13-adult)Pub Date: Oct. 2, 2018
ISBN: 978-1-250-17813-8
Page Count: 546
Publisher: First Second
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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