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ETCHED ON ME

With its deft plotting, rich characterization and often hilariously poignant dialogue, Crowell’s (Letting the Body Lead,...

A courageous survivor of sexual abuse, Lesley Holloway has always cooperated with social services. That is, until they take her newborn daughter away from her and she has to battle to win her back.

After years of being dragged into the hall closet to be raped by her own father, Lesley runs away. From that moment, she is thrust into the world of child protective services, a world filled with tremendously helpful individuals but also riddled with the very bureaucracy that will rip away Lesley’s hard-won independence again and again. Her case worker, Francesca, tirelessly works to place Lesley in safe homes, although the best she can offer is a hostel populated by skeevy men. Essentially rejected by her mother for bringing shame upon the family, Lesley finds the courage to work at a diner and attend a posh school, where she is reminded daily of her status as a scholarship student. Her English teacher, Mrs. Kremsky, or Miss, becomes Lesley’s guardian angel. Driving her to and from school, offering morning lattes, Miss gradually gains Lesley’s trust. Lesley, though, has farther to fall, as she begins cutting herself to release her emotional pain. The day after her father’s trial, she accidentally cuts too deeply and winds up in a rehab center, arranged by Miss with the assistance of Francesca. Undergoing therapy, Lesley meets her first love, Clare, yet their sweet romance is doomed by Clare’s religiously fanatic parents and the center’s rules. Soon, Lesley is tossed out. With the help of Miss and her family, Lesley slowly claws her way out of the hellhole of PTSD. When Lesley finds herself pregnant, she naively reveals her past troubles to her midwife, unwittingly unleashing her own hell.

With its deft plotting, rich characterization and often hilariously poignant dialogue, Crowell’s (Letting the Body Lead, 2002, etc.) latest is a gem.

Pub Date: Feb. 18, 2014

ISBN: 978-1-4767-3906-9

Page Count: 320

Publisher: Washington Square/Pocket

Review Posted Online: Jan. 6, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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